U.S.

Strapped to the bed of circumcision lies
My son. This mutilation ties
You to the fathers. They will never let
You forget, or your flesh be enfranchised ever,
Though you pray all your life long.
They set you early on the rack, infect you with a fever
Of remembering. In the marriage bed,
When you are naked, there the sign is red.
There is neither meeting nor mating but the past
Cries that you've been waited for and wed already —
I will not bless this mark upon your body.
For you the hurricane is rising fast;

A great light is the man who knows the woman he loves
A great light is the woman who knows the man she loves
And carries the light into room after room arousing
The sleepers and looking hard into the face of each
And then sends them asleep again with a kiss
Or a whole night of love
and goes on and on until
The man and woman who carry the great lights of the
Knowledge of the one lover enter the room
toward which
Their light is sent and fit the one and the other torch
In a high candelabrum and there is such light

After the second conference, I would be cast in the role of a young dancer with a prestigious New York City ballet company. I would be cast in the role of the mother, a former dancer now amateur artist, whose career ended at 28 when she became pregnant. I would be cast in the role of the exotic beauty who is more in touch with her sensuality. I would be cast in the role of the director, a cruel and demanding genius who would sleep with the ingenue. I would be cast in the role of someone selected to compete for the part alongside several other dancers.

Thanks for the violence. Thanks for Walt’ s rude muscle
pushing through the grass, for tiny Gulliver crushed
between the giant’ s breasts. Thanks for Moby’ s triangular hump
and Ahab’ s castrated leg. Thanks for the harpoons.
Thanks for this PBS history of the automatic pistol.

They love me so muchthey have imagined me dead because they fear the loss of my genius above all elseHow literarylike Huck FinnEveryone will be weeping
The Desultory Slut
Do you have one of my books to sign?
Oh nocan you please sign here?
Isn’ t it greatThe old bastard finally kicked

Ta daaa!

Wait, I’ m not dead at all. Here I am. It was all a mistake
Do you realize what this means? This means we’ re free
He’ s dead, he’ s dead. Our enemy is finally dead

The three men now stood satisfied, arms crossed,
joking among themselves, but only moments before
they hadn’ t been laughing. It had taken all three
to bind the struggling man. First, to limit his movement,
they had duct-taped his wrists together behind his back:
for that, one man had held his legs and another had pinned him,
one hand on each shoulderblade and one knee on his head,
at his left temple, grinding his right cheek and eye into
the dust and straw and dried shit that formed the floor of the barn.

I’ m here, one fat cherry
blossom blooming like a clod,

one sad groat glazing, a needle puling thread,
so what, so sue me. These days what else to do but leer

at any boy with just the right hairline. Hey! I say,
That’ s one tasty piece of nature. Tart Darkling,

if I could I’ d gin, I’ d bargain, I’ d take a little troll
this moolit night, let you radish me awhile,

one comes to language from afar, the ear
fears for its sound-barriers —

but one “comes”; the language “comes” for
The Beckoning Fair One

plant you now, dig you
later, the plaint stirs winter
earth…

air in a hornet’ s nest
over the water makes a
solid, six-sided music…

a few utterly quiet scenes, things
are very far away — “form
is emptiness”

comely, comely, love trembles

and the sweet-shrub

John Gordon Boyd
died on the birthday
of three remarkable, and remarkably different, writers:
Heinrich Heine, Kenneth Patchen, Ross McDonald

John, too, was just as remarkable, blessed with an inherent “graciousness”
and with extraordinary eyes & ears…

I think of two texts
on the grievous occasion of his death:

“Religion does not help me.
The faith that others give to what is unseen,
I give to what I can touch, and look at.
My Gods dwell in temples
made with hands.”
— Oscar Wilde, in De Profundis