Western

A compendium of words was stored here
Just underneath the chimney
I’ d like to see it that way
Fortune won’ t stand still for that
And pressure of the air flattens paper
I’ d like to see it that way
One comes into the room groomed, a pleasure
There’ s a patch of glitter in the glamor
I’ d like to see it that way
Each moment opens up sudden as an umbrella
On a day storms gather like wool
A way I’ d really like to see it
So you can’ t assume a face again
Before the non-face puts in its appearance

His heart is like a boat that sets forth alone
on the ocean and goes far out from him,
as Aphrodite proceeds on her pleasure journeys.
He pours the gold down the runnels
into a great mystery under the sand.
When he pulls it up by the feet
and knocks off the scale, it is a god.
What is it she finds with those men

Half the women are asleep on the floor
on pieces of cardboard.
One is face down under a blanket
with her feet and ankle bracelet showing.
Her spear leans against the wall by her head
where she can reach it.
The woman who sits on a chair won’ t speak
because this is not her dress.
An old woman sings an Italian song in English
and says she wants her name in lights:
Faye Runaway. Tells about her grown children.
One asks for any kind of medicine.
One says she has a rock that means honor
and a piece of fur.

The mind goes caw, caw, caw, caw,
dark and fast. The orphan heart
cries out, “Save me. Purchase me
as the sun makes the fruit ripe.
I am one with them and cannot feed
on winter dawns.” The black birds
are wrangling in the fields
and have no kindness, all sinew
and stick bones. Both male and female.

It was a picture I had after the war.
A bombed English church. I was too young
to know the word English or war,
but I knew the picture.
The ruined city still seemed noble.
The cathedral with its roof blown off
was not less godly. The church was the same
plus rain and sky. Birds flew in and out
of the holes God’ s fist made in the walls.

When I go into the garden, there she is.
The specter holds up her arms to show
that her hands are eaten off.
She is silent because of the agony.
There is blood on her face.
I can see she has done this to herself.
So she would not feel the other pain.
And it is true, she does not feel it.
She does not even see me.
It is not she anymore, but the pain itself
that moves her. I look and think
how to forget. How can I live while she
stands there? And if I take her life
what will that make of me? I cannot

I would like to decorate this silence,
but my house grows only cleaner
and more plain. The glass chimes I hung
over the register ring a little
when the heat goes on.
I waited too long to drink my tea.
It was not hot. It was only warm.

Now the summer air exerts its syrupy drag on the half-dark
City under the strict surveillance of quotation marks.

The citizens with their cockades and free will drift off
From the magnet of work to the terrible magnet of love.

In the far suburbs crenellated of Cartesian yards and gin
The tribe of mothers calls the tribe of children in

Across the bluing evening. It’ s the hour things get
To be excellently pointless, like describing the alphabet.

Music: Sexual misery is wearing you out.
Music: Known as the Philosopher’ s Stair for the world-weariness which climbing it inspires. One gets nowhere with it.
Paris: St-Sulpice in shrouds.
Paris: You’ re falling into disrepair, Eiffel Tower this means you! Swathed in gold paint, Enguerrand Quarton whispering come with me under the shadow of this gold leaf.
Music: The unless of a certain series.
Mathematics: Everyone rolling dice and flinging Fibonacci, going to the opera, counting everything.
Fire: The number between four and five.