Quatrain

I sigh for the heavenly country,
Where the heavenly people pass,
And the sea is as quiet as a mirror
Of beautiful beautiful glass.

I walk in the heavenly field,
With lilies and poppies bright,
I am dressed in a heavenly coat
Of polished white.

When I walk in the heavenly parkland
My feet on the pasture are bare,
Tall waves the grass, but no harmful
Creature is there.

At night I fly over the housetops,
And stand on the bright moony beams;
Gold are all heaven’ s rivers,
And silver her streams.

Glass was the Street - in Tinsel Peril
Tree and Traveller stood.
Filled was the Air with merry venture
Hearty with Boys the Road.

Shot the lithe Sleds like Shod vibrations
Emphacized and gone
It is the Past’ s supreme italic
Makes the Present mean -

This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,

rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.

Once up against the sky it's hard
to tell them from the stars —
planets, that is — the tinted ones:
Venus going down, or Mars,

All night the sound had
come back again,
and again falls
this quiet, persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent —
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

Half-eagle, half-lion, the fabulous
animal struts, saber-clawed but saintly,
a candlewicked ornament dangling
from our rickety sugar pine. Butternut

pudding in our bellies. His reindeer
and sleigh hurried here and gone — thank God
for us childless folks. Almost: the lovelocked
Griffins on the sofa, sockfooted, hearing

The obvious is difficult
To prove. Many prefer
The hidden. I did, too.
I listened to the trees.

They had a secret
Which they were about to
Make known to me,
And then didn’ t.

Summer came. Each tree
On my street had its own
Scheherazade. My nights
Were a part of their wild

Storytelling. We were
Entering dark houses,
More and more dark houses
Hushed and abandoned.

There was someone with eyes closed
On the upper floors.
The thought of it, and the wonder,
Kept me sleepless.

Calm as that second summer which precedes
The first fall of the snow,
In the broad sunlight of heroic deeds,
The City bides the foe.

As yet, behind their ramparts stern and proud,
Her bolted thunders sleep —
Dark Sumter, like a battlemented cloud,
Looms o’ er the solemn deep.

Various stars. Various kings.
Various sunsets, signs, cursory insights.
Many minute attentions, many knowledgeable watchers,
Much cold, much overbearing darkness.

Various long midwinter Glooms.
Various Solitary and Terrible Stars.
Many Frosty Nights, many previously Unseen Sky-flowers.
Many people setting out (some of them kings) all clutching at stars.

A sycamore on either side
In whose lovely leafage cried
Hushingly the little winds —
Thus was Mary’ s shrine descried.

“Sixteen Hundred and Twenty-Four”
Legended above the door,
“Pray, sweet gracious Lady, pray
For our souls,” — and nothing more.

Builded of rude gray stones and these
Scarred and marred from base to frieze
With the shrapnel’ s pounces — ah,
Fair she braved War’ s gaunt disease:

Only the wanderer
Knows England's graces,
Or can anew see clear
Familiar faces.

And who loves joy as he
That dwells in shadows?
Do not forget me quite,
O Severn meadows.