1.
Last night I dreamt I was Pancho Villa —
ragged, bandoliered, reckless.
I dreamt my poetry at the end of a pistol,
felt it kick nearly out of my hand.
But this morning I awoke again
white and assimilated into these cobwebs
of my half-self. When did I forget
my mother? Sometimes Spanish
syllables creak like wobbly shopping cart
wheels, I have to lean against accent,
fill myself with verbs: necesitar, hablar, poder.
Despite the geologists’ knowledge and craft,
mocking magnets, graphs, and maps —
in a split second the dream
piles before us mountains as stony
as real life.
And since mountains, then valleys, plains
with perfect infrastructures.
Without engineers, contractors, workers,
bulldozers, diggers, or supplies —
raging highways, instant bridges,
thickly populated pop-up cities.
Without directors, megaphones, and cameramen —
crowds knowing exactly when to frighten us
and when to vanish.
Savage Beauty
Like hell they'll fall for each other.
“Shalom,” called the pink-shirted man in the Oceanic
Terminal of Heathrow, and I snapped,
“I do not want to talk to you.” Manic
with fear, I extended one pointy-tipped shoe, tapped
the message home. My cases bulged with the wrong
clothes, every outfit trimmed with clipped
One girl a full head taller
Than the other — into their Sunday dresses.
First, the slip, hardly a piece of fabric,
Softly stitched and printed with a bud.
I’ m not their mother, and tangle, then untangle
The whole cloth — on backwards, have to grab it
Round their necks. But they know how to pull
Arms in, a reflex of being dressed,
Bangkok
Caught in a slip of particulars,
say, between the dirt road
and the brand-new
Seven-Eleven, a bucket
of lotus, three shades of red
in the mudbank giving way to
Are we on the ground now? Ally cells and I said operations.
We cleared 50% of a wonderful friend and enduring opposition.
Take the solid.
Louder.
We clearly are loud. We are the postal system.
No evidence has been information.
Attacking the caves. Are you on the ground enduring?
A wonderful friend ramped it up.
You ought to open your mail.
Opposition element: the air. The talents work with precision.
84%. The population attacking the caves, the talents work with the
caves and tunnels.
The world is wasted on you. Show us one clear time
beyond childhood (or the bottle) you spent your whole
self — hoarding no blood-bank back-up, some future aim
to fuel — or let yourself look foolish in reckless style
on barstool, backstreet or dancefloor, without a dim
image of your hamming hobbling you the whole while.
Voyeur to your own couplings, you never did come
with them, did you, even when you did? You said Hell
is details, when Hell was just the cave, the concave-
mirrored skull you dwelt inside, your left hand
I
1.
The earth is dry and they live wanting.
Each with a small reservoir
Of furious music heavy in the throat.
They drag it out and with nails in their feet
Coax the night into being. Brief believing.
A skirt shimmering with sequins and lies.
And in this night that is not night,
Each word is a wish, each phrase
A shape their bodies ache to fill —
