herd on da wind you come back fo me
didn’ t think you come back fo me
didn’ t think you come back at all
been so long my skin grew tired
dis life too hard to know all alone
caroline cover me jus fine
she a quilt ginst the cold in ma blood
she mend de torn spots in ma soul
aint got no mind ta leev dis place
go on mosesfind yo promise lan
mines is here beside dis fire
wid folks we knows from when we’ s born
When I wake now it’ s below ocherous, saw-ridged
pine beams. Haze streaks all three windows. I look up
at the dog-eared, glossy magazine photo
I’ ve taken with me for years. It gets tacked
like a claim to some new wall in the next place —
Bill Russell & Wilt Chamberlain, one on one
the final game of the 1969 NBA championship,
two hard men snapped elbowing & snatching at a basketball
as if it were a moment one of them might stay inside
forever. I was with
my father the night that game played
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’ s decay
Ushers in a drearier day.
Geof Huth
More About Visual Poetry >>
Fame is a bee.
It has a song —
It has a sting —
Ah, too, it has a wing.
Fame is a fickle food
Upon a shifting plate
Whose table once a
Guest but not
The second time is set
Whose crumbs the crows inspect
And with ironic caw
Flap past it to the
Farmer’ s corn
Men eat of it and die
My master/father sent me up from South
Carolina to Boston as a nine-year-old.
My mother's illiterate silence has been a death.
I wonder if she still labors in his fields.
His sister, dutiful but cold as snow,
gave me a little room in her house, below
the stairs with the Irish servants, who hated me
for the fatal flaw in my genealogy.
For the first time in my life I am at home
in this bevy of scholars, my first family.
Here, the wallpapers welcome me into every room,
and the mirrors see me, not my pedigree.
Ray’ s third new car in half as many years.
Full cooler in the trunk, Ray sogging the beer
as I solemnly chauffeur us through the bush
and up the backroads, hardly cowpaths and hub-deep in mud.
All day the sky lowers, clears, lowers again.
Somewhere in the bush near Saint John
there are uncles, a family, one mysterious brother
who stayed on the land when Ray left for the cities.
One week Ray is crocked. We’ ve been through this before.
The week in August you come home,
adult, professional, aloof,
we roast and carve the fatted calf
— in our case home-grown pig, the chine
garlicked and crisped, the applesauce
hand-pressed. Hand-pressed the greengage wine.
Nothing is cost-effective here.
The peas, the beets, the lettuces
hand sown, are raised to stand apart.
The electric fence ticks like the slow heart
of something we fed and bedded for a year,
then killed with kindness’ s one bullet
and paid Jake Mott to do the butchering.
I had a boyfriend who told me stories about his family,
how an argument once ended when his father
seized a lit birthday cake in both hands
and hurled it out a second-story window. That,
I thought, was what a normal family was like: anger
sent out across the sill, landing like a gift
to decorate the sidewalk below. In mine
it was fists and direct hits to the solar plexus,
and nobody ever forgave anyone. But I believed
the people in his stories really loved one another,
even when they yelled and shoved their feet
