Night is a cistern. Owls sing. Refugees tread meadow roads
with the loud rustling of endless grief.
Who are you, walking in this worried crowd.
And who will you become, who will you be
when day returns, and ordinary greetings circle round.

After the jostling on canal streets
and the orchids blowing in the window
I work in cut glass and majolica
and hear the plectrum of the angels.

My thoughts keep dwelling on the littoral
where china clocks tick in the cold shells
and the weeds slide in the equinox.

The night is cold for love,
a chamber for the chorus
and the antistrophe of the sealight.

You're dreaming
of Cratoids, Armpullers, the Blownose Dragon.
Who knows what Anna Brichtova dreamed about, the girl
who comes looking for us tonight with her mosaic
of colored paper: her house
with its red roof, some trees on a green lawn,
the sky — outside, the concentration camp.
This is the real gift
I brought back from Prague without telling you.
It was with me on the train the morning
I thought I was living in hell: Stuttgart,
or south of there, amid a drone
of people working — they don't know at what

Chico whines, no reason why. Just now walked,
dinner gobbled, head and ears well scratched.
And yet he whines, looking up at me as if confused
at my just sitting here, typing away, while darkness
is stalking the back yard. How can I be so blind,
he wants to know, how sad, how tragic, how I
won’ t listen before it is too late. His whines are
refugees from a brain where time and loss have
small dominion, but where the tyranny of now
is absolute. I get up and throw open the kitchen door,