1981,
&  for three days in Nebraska
penny loafers are the talk, the thirties sensation
all over again in one-light towns.
Three days in Nebraska,
&  a hundred calves come out bloody & new
as Wahoo &  Alma &  Dunning hum

In through our bedroom window, the full dawn-scape concusses.
Difficult to sustain sleep's equilibrium of wordlessness.
Naming anything, like stepping barefoot in wet sand up to my ankles.
Name after name, sinking me farther beneath waking's buoyancy.

House, this morning, is pale with the rush of what night siphoned off.
Objects, still emptied of resemblance, hum their chord-less cantos.
Bloodless, my knuckles knock on walls without echo, testing singularities.

1

One night in April or May,
his daughter saw someone's hand
make the curtain which was drawn tightly across her window bulge
and ran to the adjoining room in her night clothes
where he and his son were sitting.
He ran around the house one way
and his son ran the other way
and they found a Negro
under a workbench
within six or eight feet of the window
holding a piece of plank before his face —
begging them not to shoot.

2

Netflix the Green Man and any screen
becomes a vineyard. Episodes cluster
and climb, trellis narrative. Between
the corn and lichen, creepers muster

nine lives. They grow, divide, and splice,
steal scenes by running fox grape, bittersweet,
return on any handheld device
as moonseed, woodbine, dodder, buckwheat —

false buckwheat — note, though star- and heart-shaped.
He trucks some mascot for our kids, glad-hands
a sidekick dressed to burrow, root, and take
them through their lessons rattling dad’ s