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Sonnets from the Portuguese 28: My letters! all dead paper,... mute and white!Sonnets from the Portuguese 28: My letters! all dead paper,... mute and white!

My letters! all dead paper,... mute and white! —
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,... he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand... a simple thing,
Yet I wept for it! — this,... the paper's light...
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine — and so its ink has paled

Sonnets from The River Duddon: After-Thought

I thought of Thee, my partner and my guide,
As being past away.—Vain sympathies!
For, backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall for ever glide;
The Form remains, the Function never dies;
While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish;—be it so!
Enough, if something from our hands have power
To live, and act, and serve the future hour;
And if, as toward the silent tomb we go,

Sonnets to Morpheus ["I know kung fu"]

“I know kung fu.” It won’ t bring back the world.
5:15 a. m.: I wake from another dream,
the same as every dream. A man builds a ship
in my chest. Each of the sailors
carries by her breast a picture of her sister.
The ship is not the image of a ship.
Beyond its sails there are no stars.
The water is only water because it’ s black.

Sonnets Uncorseted

1

She was twenty-two. He was fifty-three,
a duke, a widower with ten children.

They met in Paris, each in exile from
the English Civil War. Virginal

and terrified, still she agreed
to marry him. Though women were mere chattel

spinsterhood made you invisible
in the sixteen hundreds. Marriage was arranged

— hers a rare exception. Despite a dowry
a woman never could own property.

Your womb was just for rent. Birth control
contrivances — a paste of ants, cow dung

Soonest Mended

Barely tolerated, living on the margin
In our technological society, we were always having to be rescued
On the brink of destruction, like heroines in Orlando Furioso
Before it was time to start all over again.
There would be thunder in the bushes, a rustling of coils,
And Angelica, in the Ingres painting, was considering
The colorful but small monster near her toe, as though wondering whether forgetting

Sorehead

I was arrested because of that internal memo,
and ended up in a cell, then I was told to sit
with the police and the local bigwigs.
In the hushed and fast darkening room they said
someone — someone — had reduced the safety margin
on the airport risk factor, and I got the blame.
The sky that day was a pale, clear blue, but
that was happening outside, and far away.

sorrow song

for the eyes of the children,
the last to melt,
the last to vaporize,
for the lingering
eyes of the children, staring,
the eyes of the children of
buchenwald,
of viet nam and johannesburg,
for the eyes of the children
of nagasaki,
for the eyes of the children
of middle passage,
for cherokee eyes, ethiopian eyes,
russian eyes, american eyes,
for all that remains of the children,
their eyes,
staring at us, amazed to see
the extraordinary evil in

Sotto Voce

To strip away this incessant chatter,
yes, but what lies underneath it?

Death, of course, or our fear of death.
Which is why we talk so much,

bury our heads in books, turn forests
into pages and pages into mirrors

in which we see ourselves appear
and disappear. When I look up

from the story I've been reading
about the Jews in Nazi Germany

and the silence that closed their
mouths forever, I see a girl outside

the cafe smiling in at her father
who smiles back but cannot hear her.

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