The present that you gave me months ago
is still unopened by our bed,
sealed in its rich blue paper and bright bow.
I’ ve even left the card unread
and kept the ribbon knotted tight.
Why needlessly unfold and bring to light
the elegant contrivances that hide
the costly secret waiting still inside?
Aloft between heaven and them,
I babble the landscape — what staunch, vicious trees,
what cluttered roads, slow cars. This is my
country as it was gifted me — victimless, vast.
The soundtrack buzzing the air around my ears
continually loops ditties of eagles and oil.
I can’ t choose. Every moment I’ m awake,
aroused instrumentals channel theme songs,
speaking
what I cannot.
The show did not start off
auspiciously, the contestants
were nervous and kept fiddling
with the wires attached
to their privates, the men
being especially anxious
over the question of balls.
The women were more querulous.
She always writes poems. This summer
she’ s starting a novel. It’ s in trouble already.
The characters are easy — a girl
and her friend who is a girl
and the boy down the block with his first car,
an older boy, sixteen, who sometimes
these warm evenings leaves his house to go dancing
in dressy clothes though it’ s still light out.
The girl has a brother who has lots of friends,
I
Students, look at this table
And now when you see a man six feet tall
You can call him a fathom.
Likewise, students when yes and you do that and other stuff
Likewise too the shoe falls upon the sun
And the alphabet is full of blood
And when you knock upon a sentence in the
Process of explication you are going to need a lot of rags
Likewise, hello and goodbye.
II
In Miami, this May afternoon, I look up,
the sky hot, so hot, always, and heating up hotter —
how long I have loved this scene.
The clouds are white optimistic churches;
I cannot number them.
Herons, pelicans, and gulls glide like dreams
through cloud-portals, cloud-porticos, and cloud-porte-cochères
Giotto could have done with his passion for blues and dimensions.
Hard not to love a place always called by possibility.
Nearby, Cuba is singing and somewhere here
Richard Blanco is writing his poems.
As I enter the city,
That twig of light, that branch, that
fork, that form.
Beyond that, a city. A horse drowning in
a river, and beyond that, a city. Wildfire, and beyond that,
a city. God, a slippery thing,
an eel, is twined
from our hands. That rainy hum is
the wharf, is the light that etches a bridge
between pronouns, the bottle
of amber formaldehyde, the infant
orangutan, the wing
of a gull stitched to its scapula. Here is a river
drowning in a horse’s dark eye. Devitalized, humming, rainy,
The Props assist the House
Until the House is built
And then the Props withdraw
And adequate, erect,
The House support itself
And cease to recollect
The Augur and the Carpenter –
Just such a retrospect
Hath the perfected Life –
A Past of Plank and Nail
And slowness – then the scaffolds drop
Affirming it a Soul –
It starts in sadness and bewilderment,
The self-reflexive iconography
Of late adolescence, and a moment
When the world dissolves into a fable
Of an alternative geography
Beyond the threshold of the visible.
And the heart is a kind of mute witness,
Abandoning everything for the sake
Of an unimaginable goodness
When God at first made man,
Having a glass of blessings standing by,
“Let us,” said he, “pour on him all we can.
Let the world’ s riches, which dispersèd lie,
Contract into a span.”
So strength first made a way;
Then beauty flowed, then wisdom, honour, pleasure.
When almost all was out, God made a stay,
Perceiving that, alone of all his treasure,
Rest in the bottom lay.
