Elegy
Whenever my father was left with nothing to do —
waiting for someone to 'get ready',
or facing the gap between graduate seminars
and dull after-suppers in his study
grading papers or writing a review —
he played the piano.
Anne Stevenson
Fragments: Mrs. Reuben Chandler writes to her husband during a cholera epidemic
August, 1849 EN ROUTE FROM NEW YORK TO NEW ORLEANS
ABOARD THE 'GENERAL WAYNE'
Inheriting My Grandmother's Nightmare
Consider the adhesiveness of things
to the ghosts that prized them,
the "olden days" of birthday spoons
and silver napkin rings.
Too carelessly I opened
that velvet drawer of heirlooms.
There lay my grandmother's soul
begging under veils of tarnish to be brought back whole.
Innocence and Experience
I laid myself down as a woman
And woke as a child.
Sleep buried me up to my chin,
But my brain cut wild.
Sudden summer lay sticky as tar
Under bare white feet.
Stale, soot-spotted heapings of winter
Shrank in the street.
Black headlines, infolded like napkins,
Crashed like grenades
As war beat its way porch by porch
Up New Haven's façades.
Europe: a brown hive of noises,
Hitler inside.
On the sunny shelf by the stairs
My tadpoles died.
Salter's Gate
There, in that lost
corner of the ordnance survey.
Drive through the vanity —
two pubs and a garage — of Satley,
then right, cross the A68
past down-at-heel farms and a quarry,
The Spirit Is Too Blunt an Instrument
The spirit is too blunt an instrument
to have made this baby.
Nothing so unskilful as human passions
could have managed the intricate
exacting particulars: the tiny
blind bones with their manipulating tendons,
the knee and the knucklebones, the resilient
fine meshings of ganglia and vertebrae,
the chain of the difficult spine.
To My Daughter in a Red Coat
Late October. It is afternoon.
My daughter and I walk through the leaf-strewn
Corridors of the park
In the light and the dark
Of the elms' thin arches.
Around us brown leaves fall and spread.
Small winds stir the minor dead.
Dust powders the air.
Those shrivelled women stare.
At us from their cold benches.
Child, your mittens tug your sleeves.
They lick your drumming feet, the leaves.
You come so fast, so fast.
You violate the past,
My daughter, as your coat dances.