On Scratchbury Camp
Along the grave green downs, this idle afternoon,
Shadows of loitering silver clouds, becalmed in blue,
Bring, like unfoldment of a flower, the best of June.
Along the grave green downs, this idle afternoon,
Shadows of loitering silver clouds, becalmed in blue,
Bring, like unfoldment of a flower, the best of June.
Groping along the tunnel, step by step,
He winked his prying torch with patching glare
From side to side, and sniffed the unwholesome air.
Tins, boxes, bottles, shapes and too vague to know;
A mirror smashed, the mattress from a bed;
And he, exploring fifty feet below
The rosy gloom of battle overhead.
Darkness: the rain sluiced down; the mire was deep;
It was past twelve on a mid-winter night,
When peaceful folk in beds lay snug asleep;
There, with much work to do before the light,
We lugged our clay-sucked boots as best we might
Along the trench; sometimes a bullet sang,
And droning shells burst with a hollow bang;
Stunned heat of noon. In shade, tan, silken cows
hide in the thorned acacias. A butterfly staggers.
Stamping their hooves from thirst, small horses drowse
or whinny for water. On parched, ochre headlands, daggers
of agave bristle in primordial defense,
like a cornered monster backed up against the sea.
A mongoose charges dry grass and fades through a fence
faster than an afterthought. Dust rises easily.
The poor have the best views,
Views sloping down to sea.
A green and yellow planet,
A blue band, rung with stars.
The poor have the best views.
You have to walk to get there.
Up three flights, narrow paths,
Houses rising steeply side to side.
No, no space for a car.
When the flag lifts, you see the coast:
Yellow curve of sand,
Framed by reaching branches.
Little humpbacked islands,
Soon they will drill for oil there,
Deep underwater. Once microscopic
Diatoms swarmed in salt, danced, died.
On the platter set out in the center of the Matyó-embroidered tablecloth
was the syringe. And around it was silence. My father
gazed at my mother, and she back at him. Slowly,
faltering, he began to speak. I was seized by
an unusual shuddering. I recall that he used the word fate,
and that if I consented to the injected dose,
we could all fall asleep. We would stay together
for all time. And evade the uncertainty in mortifying
desperation. A fifteen-year-old’ s desire to live
cried out in me: “No!” To which
1
I now release from my blood the bird of thirty she wasted
that’ s how wars crumble us
I now tell those who are exhausted from the expense
of children the secret of happiness and happiness itself
The kiss is, strictly speaking, a passing
of of twice: a bead from her mouth to his,
then back, ad nauseam, and the boys who lived
and died for it. The lovely girl amassing
ninety-nine spirits, and in high spirits
for consuming her highest amount. Once
the hundredth boy arrived she starts her hunt
in her haunt, a hill’ s field filled with fitting
Artemisia absinthium.
And every day they kissed to swap the bead
and for a month he waned and wans
I would drive the pre-dawn dark to stake
my spot to fish for dinner, to numb my hands in the ice
bucket, to pluck, from the neat stack, a herring,
to fit the skullcap and pierce the eye with a toothpick,
the body double-hooked, my fingertips glimmering
with the scales of the dead while the line whined free
from the reel, and the bait arced out over the tidal current
on a point in view of the town where I lived,
What I adore is not horses, with their modern
domestic life span of 25 years. What I adore
is a bug that lives only one day, especially if
it’ s a terrible day, a day of train derailment or
chemical lake or cop admits to cover-up, a day
when no one thinks of anything else, least of all
that bug. I know how it feels, born as I’ ve been
into these rotting times, as into sin. Everybody’ s
busy, so distraught they forget to kill me,
and even that won’ t keep me alive. I share
my home not with horses, but with a little dog