And it grows, the vain
summer,
even for us with our
bright green sins:
behold the dry guest,
the wind,
as it stirs up quarrels
among magnolia boughs
and plays its serene
tune on
the prows of all the leaves —
and then is gone,
leaving the leaves
still there,
the tree still green, but breaking
the heart of the air.
One spring day I saw
the shadow of a strawberry tree
lying on the moor
like a shy lamb asleep.
Its heart was far away,
suspended in the sky,
brown in a brown veil,
in the sun’ s eye.
The shadow played in the wind,
moving there alone
to make the tree content.
Here and there it shone.
It knew no pain, no haste,
wanting only to feel morning,
then noon, then the slow-paced
journey of evening.
Psychoanalysis
always looks for the egg
in a basket
that has been lost.
* * *
I sample sin as if it were
the beginning of well-being.
* * *
I don't like Paradise
as they probably don't have obsessions there.
* * *
If God absolves me
he always does so
for insufficient
evidence.
Let us honor the topmost banner
fluttering over the kingdom of commodities —
the encoded soul of price
rose of the name and name of the rose,
bundle of stems, fasces
of tendons and veins —
wrist on which
to auscultate
the pulse of money.
A joyrider rips up Lockland.
It takes barely five minutes
for a precinct helicopter
to dip and swivel over lawns
and two opposing lines of cars
parked innocently snug to the sidewalk.
They haven't found him yet.
Every couple of minutes or so,
my blind soaks in outrageous light
and the helicopter hauls its drone
Wind whistling, as it does
in winter, and I think
nothing of it until
it snaps a shutter off
her bedroom window, spins
it over the roof and down
to crash on the deck in back,
like something out of Oz.
We look up, stunned — then glad
to be safe and have a story,
characters in a fable
we only half-believe.
From now on they always are, for years now
they always have been, but from now on you know
they are, they always will be,
from now on when they cry and you say
wryly to their mother, better you than me,
you’ d better mean it, you’ d better
hand over what you can’ t have, and gracefully.
They’ ve perched for hours
on that window-ledge, scarcely
moving. Beak to beak,
a matched set, they differ
almost imperceptibly —
like salt and pepper shakers.
It’ s an event when they tuck
(simultaneously) their pinpoint
heads into lavender vests
of fat. But reminiscent
of clock hands blandly
turning because they must
The fact of the harp swells into the air,
Alien and familiar and entirely too large,
An elephant lost in the suburbs,
And opens with its cry a strange passage
Between the harp itself, the fragile harp,
And the almost guilty knowledge
Of the stroke of luck that brought it here
And the care with which it must depart.
On the day we moved in, the pings, bumps, and snaps
Were scary, it's true, but probably normal;
A house accepting new patterns of weight
With protest, the way no conviction goes gently.
We laughed a little, and called it "our spirit."
Later that night, when the power conked out
And the kids were crying, the ghost got a name,
"Daniel," and a history of whispered exploits,
All of them harmless, like nursery rhymes,
Or like the little fibs we tell ourselves
To explain why this or that has led to suffering.
