English Poems

When I heard the learn’ d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’ d off by myself,
In the mystical moist night-air, and from time to time,
Look’ d up in perfect silence at the stars.

I am a feather on the bright sky
I am the blue horse that runs in the plain
I am the fish that rolls, shining, in the water
I am the shadow that follows a child
I am the evening light, the lustre of meadows
I am an eagle playing with the wind
I am a cluster of bright beads
I am the farthest star
I am the cold of dawn
I am the roaring of the rain
I am the glitter on the crust of the snow
I am the long track of the moon in a lake
I am a flame of four colors
I am a deer standing away in the dusk

Once there was a woman who laughed for years uncontrollably after a stroke.

Once there was a child who woke after surgery to find his parents were impostors.

These seagulls above the parking lot today, made of hurricane and ether, they

have flown directly out of the brain wearing little blue-gray masks, like strangers' faces, full

of wingéd mania, like television in waiting rooms. Entertainment. Pain. The rage

of fruit trees in April, and your car, which I parked in a shadow before you died, decorated now with feathers,

PRECEPT I.

In Things of moment, on thy self depend,
Nor trust too far thy Servant or thy Friend:
With private Views, thy Friend may promise fair,
And Servants very seldom prove sincere.

PRECEPT II.

What can be done, with Care perform to Day,
Dangers unthought-of will attend Delay;
Your distant Prospects all precarious are,
And Fortune is as fickle as she’ s fair.

PRECEPT III.

Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy or charms can make us sleep as well

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?

Where ever something breathes
Heart beating the rise and fall
Of mountains, the waves upon the sky
Of seas, the terror is our ignorance, that’ s
Why it is named after our home, earth
Where art is locked between
Gone and Destination
The destiny of some other where and feeling
The ape knew this, when his old lady pulled him up
Off the ground. Was he grateful, ask him he’ s still sitting up there
Watching the sky’ s adventures, leaving two holes for his own. Oh sing

Ida and Isidor Straus sleep side by side
eternally in an Egyptian galley
fronting their Woodlawn mausoleum.
Symbolically they lie. Their boat is small;
nor was her body recovered from the Titanic.
And yet the image of the voyage holds.

Why not embark? A river runs behind me
on the other side of this dark window.
A dream called Night Boat
arranged us side by side in a black craft,
sailing the river of forgetfulness
until the stars went out.

The brook is this mix of roar & hiss as if God
has managed to scalpel a section of tempest & clothespin it in
the woods Over There Always draped in the trees
while we eat white summer peaches from celadon bowls
while the sun bleaches & blue jay squawks score the maple, oak
birch and apple-treed sky with their oblique Scriabin musics.
Fifteen years since I have seen a real Fall
her deciduous burlesque, her glistering things sifting
on the old cider mill. A holy show.

I

Should I take this time, while the children are in school,
to untrim the tree? Standing in the dish we let go dry,
it looks well-preserved, as if Christmas were still
in our future; would it spare their feelings if I dismantle
piece by piece its grandeur, or will I amplify
their sense of loss, to de-jewel it without ritual?