English Poems

A chimney, breathing a little smoke.
The sun, I can't see
making a bit of pink
I can't quite see in the blue.
The pink of five tulips
at five p. m. on the day before March first.
The green of the tulip stems and leaves
like something I can't remember,
finding a jack-in-the-pulpit
a long time ago and far away.
Why it was December then
and the sun was on the sea
by the temples we'd gone to see.
One green wave moved in the violet sea
like the UN Building on big evenings,
green and wet

The smell of snow, stinging in nostrils as the wind lifts it from a beach
Eve-shuttering, mixed with sand, or when snow lies under the street lamps and on all
And the air is emptied to an uplifting gassiness
That turns lungs to winter waterwings, buoying, and the bright white night
Freezes in sight a lapse of waves, balsamic, salty, unexpected:
Hours after swimming, sitting thinking biting at a hangnail
And the taste of the — to your eyes — invisible crystals irradiates the world

Stand close around, ye Stygian set,
With Dirce in one boat conveyed!
Or Charon, seeing, may forget
That he is old and she a shade.

Listen, children:
Your father is dead.
From his old coats
I'll make you little jackets;
I'll make you little trousers
From his old pants.
There'll be in his pockets
Things he used to put there,
Keys and pennies
Covered with tobacco;
Dan shall have the pennies
To save in his bank;
Anne shall have the keys
To make a pretty noise with.
Life must go on,
And the dead be forgotten;
Life must go on,
Though good men die;
Anne, eat your breakfast;
Dan, take your medicine;

How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’ d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’ rs and all trees do close
To weave the garlands of repose.

What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing — This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.

Silent, about-to-be-parted-from house.
Wood creaking, trying to sigh, impatient.
Clicking of squirrel-teeth in the attic.
Denuded beds, couches stripped of serapes.

Deep snow shall block all entrances
and oppress the roof and darken
the windows. O Lares,
don’ t leave.
The house yawns like a bear.
Guard its profound dreams for us,
that it return to us when we return.

November 1969

Fame is not fastidious about the lips
which spread it. So long as there are mouths
to reiterate the one name it does not
matter whose they are.
The fact that to the seeker after fame
they are indistinguishable from each other
and are all counted as equal shows that this
passion has its origin in the experience
of crowd manipulation. Names collect
their own crowds. They are greedy, live their own
separate lives, hardly at all connected
with the real natures of the men who bear them.

Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Sithens in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:

For my daughter

If the body is primal, if the body is performed,
if the body is a city made of matches,
something the self burns as it retreats,

if death is a victory, if death is a cascade,
if death is the moment when the pianist rises
from the piano and the piano plays on,

if you are a theater, if you are the wandering
troupe, if you have checked, lost traveler,
into the softest of hotels, if you already existed,