Activities

Who Burns for the Perfection of Paper

At sixteen, I worked after high school hours
at a printing plant
that manufactured legal pads:
Yellow paper
stacked seven feet high
and leaning
as I slipped cardboard
between the pages,
then brushed red glue
up and down the stack.
No gloves: fingertips required
for the perfection of paper,
smoothing the exact rectangle.
Sluggish by 9 PM, the hands
would slide along suddenly sharp paper,
and gather slits thinner than the crevices
of the skin, hidden.
Then the glue would sting,

Breakfast

A dinner party, coffee, tea,
Sandwich, or supper, all may be
In their way pleasant. But to me
Not one of these deserves the praise
That welcomer of new-born days,
A breakfast, merits; ever giving
Cheerful notice we are living
Another day refreshed by sleep,
When its festival we keep.
Now although I would not slight
Those kindly words we use ‘Good night’,
Yet parting words are words of sorrow,
And may not vie with sweet ‘Good Morrow’,
With which again our friends we greet,

The Metal and the Flower

Intractable between them grows
a garden of barbed wire and roses.
Burning briars like flames devour
their too innocent attire.
Dare they meet, the blackened wire
tears the intervening air.

Trespassers have wandered through
texture of flesh and petals.
Dogs like arrows moved along
pathways that their noses knew.
While the two who laid it out
find the metal and the flower
fatal underfoot.

From “Ithaca”

The night approaches. Dusk drafts on buildings
their future ruins. Dusk deepens windows
and apertures. It hollows stones
with shadows like with water. It foretells
the near death of a hundred clouds
to the shining host. A thin layer of dust,
the seer leaves his footprints on the roofs
as he walks home from the future
not his own, swallowing his voice —
in its rays, fat blood flows down
the golden armor. Wet
blue entrails. Large heads
have rolled down the shoulders.
Speech has grown silent in deep mouths.

The Evidence is Everywhere

I.

The Santa Anas, childlike and profound,
blanket me; I see the dust stirring the valley
and clouding downtown San Bernardino;
I feel the sting of your loss.

The black oak leaves, brittle, tumbling,
crack under my feet. Is your hand
touching the dryness of my lips?

You sing: "Don't sit, mountain-still,
a coyote skull whistling."

I tug at the skin on my wrist, trying
to peel off the seam, my stubbornness.

The Mill-Race

Four-fifty. The palings of Trinity Church
Burying Ground, a few inches above the earth,
are sunk in green light. The low stones
like pale books knocked sideways. The bus so close to the curb
that brush-drops of ebony paint stand out wetly, the sunlight
seethes with vibrations, the sidewalks
on Whitehall shudder with subterranean tremors. Overhead, faint flickers

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