I like you, Mrs. Fry! I like your name!
It speaks the very warmth you feel in pressing
In daily act round Charity’ s great flame —
I like the crisp Browne way you have of dressing,
Good Mrs. Fry! I like the placid claim
You make to Christianity, — professing
Love, and good works — of course you buy of Barton,
Beside the young fry’ s bookseller, Friend Darton!
Rain so dark I
can’ t get through —
train going by
in a hurry. The voice
said walk or die, I
walked, — the train
and the voice all
blurry. I walked with
my bones and my heart
of chalk, not even
a splintered notion:
days of thought, nights
of worry, — lonesome
train in a hurry.
The housework, the factory work, the work
that takes from the body
and does not put back.
The white-collar work and the dirt
of its profits, the terrible politeness
of the office worker, the work that robs
the viscera to pay the cool
surfaces of the brain. All the work
that makes love difficult, brings on
sleep, drops the body off
at the liquor cabinet. All the work
that reaches the intestines and sprawls.
And the compulsive work after the work
is done, those unfillable spaces
How were we to know, leaving your two kids
behind in New Hampshire for our honeymoon
at twenty-one, that it was a trick of cheap
hotels in New York City to draw customers
like us inside by displaying a fancy lobby?
Arriving in our fourth-floor room, we found
a bed, a scarred bureau, and a bathroom door
with a cut on one side the exact shape
of the toilet bowl that was in its way
when I closed it. I opened and shut the door,
admiring the fit and despairing of it. You
discovered the initials of lovers carved
The child’ s assignment:
“What is a city?”
All dusk she sucks her pencil
while cars swish by
like ghosts, neighbors’ radios
forecast rain, high clouds,
diminishing winds: at last
she writes: “The city is everyone.”
Now it’ s time
for math, borrowing and exchanging,
the long discipleship
to zero, the stranger,
the force that makes us
A blast off the Atlantic
snaps a flag in the Firth
of Clyde, while thirty leagues
away, the same synoptic wind
surges across this hillside
honeycombed with mineshafts,
sounding the unstopped slots
of a "G" harmonica left
to dry on the kitchen sill.
Snow charges a sky
in which the sun swims
and glimmers like a groat,
a turbulent space where owls
Geneticist as driver, down the gene
codes in, let's say, a topless coupe
and you keep expecting bends,
real tyre-testers on tight
mountain passes, but instead it's dead
straight, highway as runway,
helix unravelled as vista,
as vanishing point. Keep your foot
down. This is a finite desert.
You move too fast to read it,
the order of the rocks, the cacti,
roadside weeds, a blur to you.
Every hour or so, you pass a shack
which passes for a motel here:
tidy faded rooms with TVs on
Wake me in South Galway, or better yet
In Clare. You'll know the pub I have in mind.
Improvise a hearse — one of those decrepit
Postal vans would suit me down to the ground —
A rust-addled Renault, Kelly green with a splash
Of Oscar Wilde yellow stirred in to clash
With the dazzling perfect meadows and limestone
On the coast road from Kinvara down toward Ballyvaughan.
Flags of all sorts.
The literary life.
Each time we dreamt we’ d done
the gentlemanly thing,
covering our causes
in closets full of bones
to remove ourselves forever
from dearest possibilities,
the old weapons re-injured us,
the old armies conscripted us,
and we gave in to getting even,
a little less like us
if a lot less like others.
Many, thus, gained fame
A chicken soup for the rainbow lover’ s soul.
A chicken soup for the lover of chicken soup.
A carnage of birds, a devastation.
Chicken soup for the dried-up garden —
It’ s been a lousy summer sucking us dry.
Chicken soup for the grocery list.
Chicken soup for unwanted potatoes.
Chicken soup for extinct animals.
