IPig
I was in the outhouse
I heard somebody at the pump
I looked out the chink hole
It was the two fishermen
They stole fish
One man gave the other one some money
He flipped a fifty-cent piece up
I lost it in the sun
I saw the snake doctors riding each other
The other man said “You lose”
He took something else out of his pocket
It shined
They had a tow sack
I thought they were cleaning fish
I looked up
I saw the snake doctors riding each other
A Montparnasse August
with view of the Cimetière. A yard of bones.
We wake to it. Close curtains to it.
Wake to its lanes. Rows of coffin-stones in varying light.
Walking here. Late with shade low, low, long.
We’ re passing through, just passing through
neat aisles of gray mausoleums.
(From Paris. Send this postcard. This one.
Calm water lilies. Water lilies.
Nothing colorless.)
It’ s morning. Baudelaire’ s tomb.
Tree limbs casting shadow west.
Our ropes are the roots
of our life. We fish
low in the earth,
the river beneath runs through our veins,
blue and cold in a riverbed.
When the sun comes up,
the moon moves slowly to the left.
I tie the logs and limbs together,
holding them in place.
The ocean beats them
smooth like rock.
Here my sense of time is flat.
I find in a strip of damp sand
footprints and marks of hands,
and torn pieces of flesh.
Night is a beast.
The tide moves, gushing
back and forth.
Thus heav’ n-ward all things tend. For all were once
Perfect, and all must be at length restor’ d.
So God has greatly purpos’ d; who would else
In his dishonour’ d works himself endure
Dishonour, and be wrong’ d without redress.
Haste then, and wheel away a shatter’ d world,
Ye slow-revolving seasons! we would see,
(A sight to which our eyes are strangers yet)
A world that does not dread and hate his laws,
And suffer for its crime; would learn how fair
The creature is that God pronounces good,
Aunt Mildred tied up her petticoats with binder’ s
twine, and my great-uncle Ezekiel waxed and waxed
his moustaches into flexibility. It was the whole
family off then into the dangerous continent of air
and while the salesman with the one gold eyetooth told us
the cords at our ankles were guaranteed to stretch
to their utmost and then bring us safely back
to the fried chicken and scalloped potatoes of Sunday dinner
He startled to see a statue of blind
justice really did loom over the courtroom. But
remained determined to scorn symbolism.
She needed a quarter to call her lover —
the docket was full, she’ d be late for lunch —
and he gave her one. It was not a taunt,
acquiescence, wager, or plea. It was
a quarter. The fact that they had done this —
even this! — together and cordially,
Pale gold and crumbling with crust
mottled dark, almost bronze,
pieces of honeycomb lie on a plate.
Flecked with the pale paper
of hive, their hexagonal cells
leak into the deepening pool
of amber. On your lips,
against palate, tooth and tongue,
the viscous sugar squeezes
from its chambers, sears sweetness
into your throat until you chew
pulp and wax from a blue city
of bees. Between your teeth
is the blown flower and the flower's
seed. Passport pages stamped
and turning. Death's officious hum.
Before you can learn the trees, you have to learn
The language of the trees. That’ s done indoors,
Out of a book, which now you think of it
Is one of the transformations of a tree.
The words themselves are a delight to learn,
You might be in a foreign land of terms
Like samara, capsule, drupe, legume and pome,
Where bark is papery, plated, warty or smooth.
My father knows the proper way
The nation should be run;
He tells us children every day
Just what should now be done.
He knows the way to fix the trusts,
He has a simple plan;
But if the furnace needs repairs,
We have to hire a man.
Ain’ t no use as I can see
In sittin’ underneath a tree
An’ growlin’ that your luck is bad,
An’ that your life is extry sad;
Your life ain’ t sadder than your neighbor’ s
Nor any harder are your labors;
It rains on him the same as you,
An’ he has work he hates to do;
An’ he gits tired an’ he gits cross,
An’ he has trouble with the boss;
You take his whole life, through an’ through,
Why, he’ s no better off than you.
