Family & Ancestors

For my unnamed brother (1943-1943)

i was left out
i was chosen second & then left out
i was left
handed i was left
to fend for myself i
was the second in
command the second
in line i came
without direction

*
i want the
milk i want my
first pick i want
choice & all its implications there was a

*
residue of
scar
between us it chafed
when we rubbed our
chests together

*
hello, brother, hello?
hello in there, brother, can you
hear me? it's a long
tunnel to the grave speak

My dad & sardines

my dad's going to give me a self
back.
i've made an altar called
The Altar for Healing the Father & Child,
& asked him what i could do
for him so he would
do nice for me. he said i should stop
saying bad things about him &, since
i've said just about everything bad
i can think of &, since... well,
no, i change my
mind, i can't promise
him that. but even healing is
negotiable, so, if he's in
heaven (or trying
to get in), it wouldn't hurt

Forest Dwellers

Men who have hardly uncurled
from their posture in the
womb. Naked. Heads bowed, not
in prayer, but in contemplation
of the earth they came from,
that suckled them on the brown
milk that builds bone not brain.

Who called them forth to walk
in the green light, their thoughts
on darkness? Their women,
who are not Madonnas, have babes
at the breast with the wise,
time-ridden faces of the Christ
child in a painting by a Florentine

The Farm on the Great Plains

A telephone line goes cold;
birds tread it wherever it goes.
A farm back of a great plain
tugs an end of the line.

I call that farm every year,
ringing it, listening, still;
no one is home at the farm,
the line gives only a hum.

Some year I will ring the line
on a night at last the right one,
and with an eye tapered for braille
from the phone on the wall

I will see the tenant who waits —
the last one left at the place;
through the dark my braille eye
will lovingly touch his face.

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