24/7
The one cashier is dozing —
head nodding, slack mouth open,
above the cover girl spread out before her on the counter
smiling up
with indiscriminate forgiveness
and compassion for everyone
who isn’ t her.
The one cashier is dozing —
head nodding, slack mouth open,
above the cover girl spread out before her on the counter
smiling up
with indiscriminate forgiveness
and compassion for everyone
who isn’ t her.
Old court. Old chain net hanging in frayed links from the rim,
the metal blackboard dented, darker where the ball
for over thirty years has kissed it, the blacktop buckling,
the white lines nearly worn away. Old common ground
where none of the black men warming up before the basket
will answer or even look in my direction when I ask
The present tense
is the body’ s past tense
here; hence
the ghost sludge of hands
on the now gray strip
of towel hanging limp
from the jammed dispenser;
hence the mirror
squinting through grime
at grime, and the worn-
to-a-sliver of soiled soap
on the soiled sink.
The streaked bowl,
The gregarious dark is shifting
when she puts her second drink,
the free one, half on the coaster.
The tipped wine poised at the brim
is the beginning of the bad girl
she’ ll promise never to be again
tomorrow, who can taunt him now
to prove he doesn’ t love her
and never could: her hand slides
What never comes when called.
What hides when held.
Guest
most at home where least
expected. Vagrant
balm of Gilead.
What, soon as here,
becomes
the body’ s native ground and,
Long scree of pill bottles
spilling over the tipped brim
of the wicker basket, fifty or more,
a hundred,
your name on every one and under
your name the brusque rune of instructions —
which ones to take, how many, and often,
on what days,
Did you ever have a family?
Dark
dining room,
bright kitchen,
white steam
from the big pot my mother’ s stirring
reaching in wavy tendrils to her face,
around her face, all the way around
I walked from my house down Coolidge Street last night
And air, beginning movement in the trees,
Shook down a hushing from the branches.
On either side of me the houses
Like solid shadow, blocks of silence
In the violet light, so dim without dimming.
And I saw you, Saul, my old friend, waiting
For me at the corner where our two streets met.