Horror

Seven of them pinned in blood by
long, shiny tails, three of them still

alive and writhing against the wood,
their heaviness whipping the wall

as they try to break free,
rattles beating in unison,

hisses slowly dying in silence,
the other four hanging stiff

like ropes to another life,
patterns of torn skin dripping

with power and loss, the wonder
of who might have done this

turning in shock as all seven
suddenly come alive when

I get closer, pink mouths
trembling with white fangs,

When I go into the garden, there she is.
The specter holds up her arms to show
that her hands are eaten off.
She is silent because of the agony.
There is blood on her face.
I can see she has done this to herself.
So she would not feel the other pain.
And it is true, she does not feel it.
She does not even see me.
It is not she anymore, but the pain itself
that moves her. I look and think
how to forget. How can I live while she
stands there? And if I take her life
what will that make of me? I cannot

IPig

I was in the outhouse
I heard somebody at the pump
I looked out the chink hole
It was the two fishermen
They stole fish

One man gave the other one some money
He flipped a fifty-cent piece up
I lost it in the sun
I saw the snake doctors riding each other
The other man said “You lose”
He took something else out of his pocket
It shined
They had a tow sack
I thought they were cleaning fish
I looked up
I saw the snake doctors riding each other

The world is wasted on you. Show us one clear time
beyond childhood (or the bottle) you spent your whole
self — hoarding no blood-bank back-up, some future aim
to fuel — or let yourself look foolish in reckless style
on barstool, backstreet or dancefloor, without a dim
image of your hamming hobbling you the whole while.
Voyeur to your own couplings, you never did come
with them, did you, even when you did? You said Hell
is details, when Hell was just the cave, the concave-
mirrored skull you dwelt inside, your left hand

They are skimming the lake with wooden hooks.
Where the oak throws its handful of shadows
Children are gathering fireflies.
I wait in the deep olive flux
As their cries ricochet out of the dark.
Lights spear the water. I hear the oak speak.

It foists its mouthful of sibilants
On a sky involved with a stillborn moon,
On the stock-still cottages. I lean
Into the dark. On tiny splints,
One trellised rose is folding back
Its shawls. The beacon strikes the lake.

As was my custom, I’ d risen a full hour
before the house had woken to make sure
that everything was in order with The Lie,
his drip changed and his shackles all secure.

I was by then so practiced in this chore
I’ d counted maybe thirteen years or more
since last I’ d felt the urge to meet his eye.
Such, I liked to think, was our rapport.

I was at full stretch to test some ligature
when I must have caught a ragged thread, and tore
his gag away; though as he made no cry,
I kept on with my checking as before.

I scratch earth around timpsila
on this hill, while below me,
hanging in still air, a hawk
searches the creekbed for my brothers.
Squat leaves, I’ ll braid your roots
into such long ropes, they’ ll cover
the rump of my stallion.
Withered flower, feed us now
buffalo rot in the waist-high grass.