It was so simple: you came back to me
And I was happy. Nothing seemed to matter
But that. That you had gone away from me
And lived for days with him — it didn’ t matter.
That I had been left to care for our old dog
And house alone — couldn’ t have mattered less!
On all this, you and I and our happy dog
Agreed. We slept. The world was worriless.
Nay, Doll, quoth Roger, now you're caught,
I'll never let you go
Till you consent, — To what? says Doll,
Zounds, Doll, why, do'stn't know?
She faintly screamed, and vowed she would
If hurt, cry out aloud;
Ne'er fear, says he, then seized the fair,
She sighed — and sighed — and vowed, —
A'nt I a Man, quoth Roger, ha!
Me you need never doubt,
Now did I hurt you, Doll? quoth he,
Or, pray? says Doll, did I cry out?
Out upon it, I have lov’ d
Three whole days together;
And am like to love three more,
If it prove fair weather.
Time shall moult away his wings,
Ere he shall discover
In the whole wide world again
Such a constant lover.
But the spite on’ t is, no praise
Is due at all to me;
Love with me had made no stays,
Had it any been but she.
To make, you first have
to create materials. Re: man, we know
the rib removed. But, before — ?
Forget ash to ash, dust
& c.
Stick a floating rib (i. e. thoracic
11 – 12, y’ know — “Edenic”) in a glass
of water with the promise
it’ ll grow
roots like leek or fur
Someone will push the house over one day,
Some spacedozer give it a shove,
But the cobbles we laid down here in the yard,
These are a labour of love.
All winter we set these cobbles in place,
Or was it the summer as well?
Sorting through lumpy bluestone pitchers
For ones that looked suitable.
The old house decayed – along with us –
Will a strange new resident
Admire the patio made in joy
Wondering what we meant?
More than a third of a century later,
meeting for the first time in almost all those years,
we face each other’ s still somewhat familiar faces
across a table in a California restaurant,
and wonder why we did it, why we suddenly said
that night in July in Greenwich Village
“Let’ s go to Connecticut,” and got on a train
and ended up at midnight in Old Greenwich, Connecticut,
holding hands on an empty road that wound past
serious grown-up sleeping houses....
I know that rarity precedes extinction,
Like that of the purple orchid in my garden,
Whose sudden disappearance rattled me.
Jane, in her way, is also beautiful.
And therefore near extinction, I suppose.
She is certainly rare and fragile of bone.
She insists she is dying, day by dubious day,
And spends her evenings looking at photographs
Of her mother, who never believed in love.
Rare Jane, I worship you. But I can’ t deny
You access to the endless
With its river of cold stars.
Some species can crack pavement with their shoots
to get their share of sun some species lay
a purple froth of eggs and leave it there
to sprinkle tidepools with tadpole confetti
some species though you stomp them in the carpet
have already stashed away the families
that will inherit every floor at midnight
But others don’ t go forth and multiply
as boldly male and female peeling the bamboo
their keepers watching in despair or those
endangered species numbered individually
The love we’ ve defined for ourselves
in privacy, in suffering,
keeps both of us lonely as a fist,
but does intimacy mean a happy ending?
I’ m afraid of marriage.
Driving past them at night, the shadows
on a drawn curtain hide terrible lives:
a father stuck in a job, his daughter
opening her blouse to strangers.
Because I gazed out the window at birds
doing backflips when the subject turned
to diamonds, because my eyes glazed over
with the slightly sleepy sheen your cake will wear,
never let it be said that I’ d rather be
firing arrows at heart-shaped dartboards
or in a cave composing polyglot puns.
I crave, I long for transforming love
as surely as leaves need water and mouths seek bread.
But I also fear the colder changes
that lie in wait and threaten to turn
moons of honey to pools of molasses,
