He had got, finally,
to the forest
of motives. There were no
owls, or hunters. No Connie Chatterleys
resting beautifully
on their backs, having casually
brought socialism
to England.
Only ideas,
and their opposites.
Like,
he was really
nowhere.
uuuuuuuuuu
uuuuuuuuuu
uuuuuuuuuu uuu ray light morning fire lynch yet
uuuuuuu, yester-pain in dreams
comes again. race-pain, people our people
our people
everywhere... yeh... uuuuu, yeh
uuuuu. yeh
our people
yes people
every people
most people
uuuuuu, yeh uuuuu, most people
in pain
yester-pain, and pain today
(Screams) ooowow! ooowow! It must be
the devil
(jumps up like a claw stuck him) oooo
wow! oooowow! (screams)
He came back and shot. He shot him. When he came
back, he shot, and he fell, stumbling, past the
shadow wood, down, shot, dying, dead, to full halt.
At the bottom, bleeding, shot dead. He died then, there
after the fall, the speeding bullet, tore his face
and blood sprayed fine over the killer and the grey light.
The sun is folding, cars stall and rise
beyond the window. The workmen leave
the street to the bums and painters’ wives
pushing their babies home. Those who realize
how fitful and indecent consciousness is
stare solemnly out on the emptying street.
The mourners and soft singers. The liars,
and seekers after ridiculous righteousness. All
my doubles, and friends, whose mistakes cannot
As simple an act
as opening the eyes. Merely
coming into things by degrees.
Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren’ t lawful;
Nooses give;
Gas smells awful;
You might as well live.
The same to me are sombre days and gay.
Though joyous dawns the rosy morn, and bright,
Because my dearest love is gone away
Within my heart is melancholy night.
My heart beats low in loneliness, despite
That riotous Summer holds the earth in sway.
In cerements my spirit is bedight;
The same to me are sombre days and gay.
This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don’ t have it.
You miss it, it misses you. You miss each other.
The poem is sad because it wants to be yours, and cannot.
What’ s a plain level? It is that and other things,
Bringing a system of them into play. Play?
Well, actually, yes, but I consider play to be
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
