Mid-Atlantic

Letters to Walt Whitman

I

I hear you are whispering there O stars of heaven,
O suns — O grass of graves...
If you do not say anything how can I say anything?

Let us tunnel

the air
(as a mole’ s green galleries)
toward the ultimate

cornfield
— the square of gold, & green, & of tassle

that rustles back at us —

let us burrow in
to a susurration, the dense starlings,

of the real —
the huge
sunflowers waving back at us,

as we move

— the great grassy world

that surrounds us,
singing.

Allegory

1

In the Forest of    Wearisome Sadness,
Where one day I found myself wandering alone,
I met my heart, who called to me, asking me where I was going.

The path was long and straight, row after row of conifers receding
To a horizon that because of   the geometry
Seemed farther than it really was,
Like the door at the top of a staircase in Versailles.

But as if   the forest’ s maker had been offended by elegance,
A pile of rocks disrupted the rows: the forest once
Had been a field. I remember that field.

Motown Philly Back Again

We’ re all pagans and shamans and clap your hands now we won’ t stop the beat

We believe in divine healing and we hate to see that evening sun go down

We know when the sight of our women dressed in white each ritual night, is touching, hypnotizes

The animals blush and split for us as revival, as revealed to themselves

These are triumphant women.

Even Sister Fame hiding out in the alley turning tricks and singing verses from the undid scripture, is touching

The pregnancy of words

Eros scrabbles to rose and rage
to gear or gare, as in Gare du Nord,
where I trained in to Paris from not
smoking pot in Master Mad, I’ m sorry,
Amsterdam, with its canals
called grachts and clocks
that bonged my homesick hours
at different times. Which is smite
for you violet types, a flower
that says “love it” if you listen. Me, I do
and don’ t feel it matters that evil thrives
in live, that we tinker and smash
everything down to bits and then
try to patch a path back home, it’ s our lotto

Bad Sheep

Midnight’ s merely blue,
but me, me, me, I’ m
through
and through
sloe, cracked soot-
on-a-boot,
nicotine spat, licorice whip.
You can scratch, scratch, scratch
but I stay underskin true
to ebony, ink, crowberry, pitch;
hoist me up by my hooves
and shake till I’ m shook, I’ m still
chock full of coke, fuliginous
murk.
O there’ s swart in my soul,
coal by the bag,
cinders and slag,
scoriac grit, so please
come, comb
through my fleece with hands pallid

Delirium

Such green, such green,
this apple-, pea- and celadon,

this emerald and pine and lime
unsheathed to make

a miser weep, to make his puny
bunions shrink; these seas

and seas of peony, these showy
tons of rose

to urge a musted monk disrobe,
an eremitic nun unfold;

such breathy, breathy moth
and wasp, such gleeful,

greedy bee to bid
the bully hearts of cops

and bosses sob,
to tell a stubby root unstub, a rusted

hinge unrust, the slug unsalt;
to stir the fusted

O, She Says

O, she says (because she loves to say O),
O to this cloud-break that ravels the night,
O to this moon, its mouthful of sorrow,
O shallow grass and the nettle burr’ s bite,

O to heart’ s flare, its wobbly satellite,
O step after step in stumbling tempo,
O owl in oak, O rout of black bat flight,
(O moaned in Attic and Esperanto)

O covetous tongue, O fat fandango,
O gnat tango in the hot, ochered light,
O wind whirred leaves in subtle inferno,
O flexing of sea, O stars bolted tight,

I Don't Miss It

But sometimes I forget where I am,
Imagine myself inside that life again.

Recalcitrant mornings. Sun perhaps,
Or more likely colorless light

Filtering its way through shapeless cloud.

And when I begin to believe I haven’ t left,
The rest comes back. Our couch. My smoke

Climbing the walls while the hours fall.
Straining against the noise of traffic, music,

Anything alive, to catch your key in the door.
And that scamper of feeling in my chest,

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