Grand Slam
Dreams brimming over,
childhood stretched out in legs,
this is the moment replayed on winter days
when frost covers the field,
when age steals away wishes.
Glorious sleep that seeps back there
to the glory of our baseball days.
Dreams brimming over,
childhood stretched out in legs,
this is the moment replayed on winter days
when frost covers the field,
when age steals away wishes.
Glorious sleep that seeps back there
to the glory of our baseball days.
They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.
Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.
“We do not dig graves or put caskets into graves any longer. The decision was made and funeral homes were notified that families and funeral homes would have to supply grave-digging personnel.”
— Ed Mazoue, New Orleans City Real Estate Administrator and Person in Charge of the City’ s Cemeteries
There’ s nothing but mud. The ground looks dry and firm,
but underneath is a stew of storm. Stout shovels, rusted,
grow gummed and heavy with what I heft and rearrange.
Progress is slow.
I was birthed restless and elsewhere
gut dragging and bulging with ball lightning, slush,
broke through with branches, steel
I was bitch-monikered, hipped, I hefted
a whip rain, a swirling sheet of grit.
Scraping toward the first of you, hungering for wood, walls,
unturned skin. With shifting and frantic mouth, I loudly loved
the slow bones
of elders, fools, and willows.
Aloft between heaven and them,
I babble the landscape — what staunch, vicious trees,
what cluttered roads, slow cars. This is my
country as it was gifted me — victimless, vast.
The soundtrack buzzing the air around my ears
continually loops ditties of eagles and oil.
I can’ t choose. Every moment I’ m awake,
aroused instrumentals channel theme songs,
speaking
what I cannot.
I.
In the seam between day and night, wind
ruts the dirt road and
ruffles the milky way of dandelions.
The young among them are greasy gold and urgent,
while the old are balanced
between growth and that burst past
It is the great arguments
we are proud of, over a nibbled peach,
hair in the comb, a faulty lube job;
the reconciliations were always naked
in borrowed rooms, sometimes in Queens
or Staten Island, we touched each other
shyly — we reminded each other
of loneliness and funk and beautiful pigeons
with oil-slick necks, cooing bitterly —
but there we lost each other
in forgiveness; keeping score,
being wounded even in triumph,
walking home down leafy avenues
etched with the faint double line
But to whatever animal we ascribe these remains, it is certain such a one has existed in America, and that it has been the largest of all terrestrial beings. It should have sufficed to have rescued the earth it inhabited, and the atmosphere it breathed, from the imputation of impotence....
— Thomas Jefferson, Notes on the State of Virginia
I called for armour, rose, and did not reel.
But when I thought...
I could feel
My wound open wide.
— Thom Gunn, “The Wound”
THE STATES
As if sliding down the green, scuffed face
of the wave, a seaplane falls
and turns together, keeping the waters of
the ear flat: a dead calm. But when the window’ s
frowning strip of shoreline,
the battalions of tropical-drinks umbrellas
guarding the sandcastles and saltboxes
of the rich,
when these flip upside down, and the pale