Mid-Atlantic

Pity the Bathtub Its Forced Embrace of the Human Form

1.
Pity the bathtub that belongs to the queen its feet
Are bronze casts of the former queen’ s feet its sheen
A sign of fretting is that an inferior stone shows through
Where the marble is worn away with industrious
Polishing the tub does not take long it is tiny some say
Because the queen does not want room for splashing
The maid thinks otherwise she knows the king
Does not grip the queen nightly in his arms there are
Others the queen does not have lovers she obeys

Shiver & You Have Weather

In the aftermath of calculus
your toast fell butter-side down.

Squirrels swarmed the lawns
in flight patterns. The hovercraft

helped the waves along. From
every corner there was perspective.

On the billboards the diamonds
were real, in the stores, only zirconia.

I cc’ ed you. I let you know.
Sat down to write the Black Ice Memo.

Dinner would be meager &
reminiscent of next week’ s lunch.

So what if I sat on the sectional?
As always I was beside myself.

Song of Myself: 35

Would you hear of an old-time sea-fight?
Would you learn who won by the light of the moon and stars?
List to the yarn, as my grandmother’ s father the sailor told it to me.

Our foe was no skulk in his ship I tell you, (said he,)
His was the surly English pluck, and there is no tougher or truer, and never was, and never will be;
Along the lower’ d eve he came horribly raking us.

We closed with him, the yards entangled, the cannon touch’ d,
My captain lash’ d fast with his own hands.

A March in the Ranks Hard-Prest, and the Road Unknown

A march in the ranks hard-prest, and the road unknown,
A route through a heavy wood with muffled steps in the darkness,
Our army foil’ d with loss severe, and the sullen remnant retreating,
Till after midnight glimmer upon us the lights of a dim-lighted building,
We come to an open space in the woods, and halt by the dim-lighted building,
’ Tis a large old church at the crossing roads, now an impromptu hospital
Entering but for a minute I see a sight beyond all the pictures and poems ever made,

Beat! Beat! Drums!

Beat! beat! drums! — blow! bugles! blow!
Through the windows — through doors — burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying,
Leave not the bridegroom quiet — no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums — so shrill you bugles blow.

Come Up from the Fields Father

Come up from the fields father, here’ s a letter from our Pete,
And come to the front door mother, here’ s a letter from thy dear son.

Lo, ’ tis autumn,
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio’ s villages with leaves fluttering in the moderate wind,
Where apples ripe in the orchards hang and grapes on the trellis’ d vines,
(Smell you the smell of the grapes on the vines?
Smell you the buckwheat where the bees were lately buzzing?)

I Hear America Singing

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’ s song, the ploughboy’ s on his way in the morning, or at noon intermission or at sundown,

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