The whole world was there, plucking their linen,
half-bald, mumbling, sucking on their moustache tips.
Broadway was still in business and they asked no favors.
All the cracked ribs of Fredericksburg,
the boys who held their tongues at Chancellorsville
as the bandages, mule shit, skin and shot
overran the Rappahannock’ s banks
and poured it in our mouths
that summer.
Use me
Abuse me
Turn wheels of fire
on manhole hotheads
Sing me
Sour me
Secrete dark matter’ s sheen
on our smarting skin
Rise and shine
In puddle shallows
under every Meryl Cheryl Caleb Syd
somnambulists and sleepyheads
MORNING
She always writes poems. This summer
she’ s starting a novel. It’ s in trouble already.
The characters are easy — a girl
and her friend who is a girl
and the boy down the block with his first car,
an older boy, sixteen, who sometimes
these warm evenings leaves his house to go dancing
in dressy clothes though it’ s still light out.
The girl has a brother who has lots of friends,
I was sitting in Old Town Square
with tourists and birds and I was reading
Foucault, how “he who is subjected
to a field of visibility... becomes
the principle of his own subjection”
and all around me the beautiful
Czechoslovakian boys moved through the first
day of spring like perennially
visible inmates in the opening credits
of a prison porno. The sun reflected off
the glass and my table was an inscrutable
tower of light from which I peered, invisibly,
at the swan-graceful boys who seemed to skirr
You love your friend, so you fly across the country to see her.
Your friend is grieving. When you look at her, you see that something’ s missing.
You look again. She seems all there: reading glasses, sarcasm, leather pumps.
What did you expect? Ruins? Demeter without arms in the British Museum?
Your friend says she believes there’ s more pain than beauty in the world.
When Persephone was taken, Demeter damned the world for half the year.
The other half remained warm and bountiful; the Greeks loved symmetry.
That she was not pretty she knew.
The flowers delivered into her hands post-concert by the young girl, pretty, would be acknowledged only. To display was to invite comparison.
Skilled at withholding, she withheld; it was a kind of giving. As when meditation is a kind of action,
a way of leaning into music the way one leans into winter wind, the way a mule leans into a harness,
the way a lover leans into the point of deepest penetration.
After a ship’ s prow cuts the water, the water rushes back twice as hard.
We enrolled at barbizon
Knowing full well
We’ d never look like
What was promised
Cue carol of the bells
Cue a demo on the casio
And the security of two-way
Escalators setting the speed
Those early mornings
In our mall school
The store’ s silver grills
Some mannequins left
Half-clothed
We’ d taunt them
With our imagined summers
In london paris rome
We weren’ t please and thank you
Walking with books on our heads
No we were going to devastate
Greek shipping heirs
I only recognized your hair: short,
neatly combed. Our mother
would’ ve been proud.
In the Sonoran desert
your body became a slaughter-
house where faith and want were stunned,
hung upside down, gutted. We
were taught
to bring roses, to aim for the bush. Remember?
You tried to pork
a girl’ s armpit. In Border Patrol
jargon, the word
The scent of pig is faint tonight
as the lime trees hang their heads against gradations of blue,
looking at the lone suitcase in the middle of the farmyard
with a sense of solidarity. Also forgotten.
Its owner never once looked up at them and exclaimed
I was still soft-fingered when I planted you.
In the plane, her gaze rests on a flock of cloud-birds,
pinkish purple with elongated necks, rests
on the plane’ s wing-tip colored pink by the sun.
Her head is heavy with this childhood cargo,
