I'm Ramón González Barbagelata from anywhere,
from Cucuy, from Paraná, from Rio Turbio, from Oruro,
from Maracaibo, from Parral, from Ovalle, from Loconmilla,
I'm the poor devil from the poor Third World,
I'm the third-class passenger installed, good God!
in the lavish whiteness of snow-covered mountains,
It is a place whither I’ ve often gone
For peace, and found it, secret, hushed, and cool,
A beautiful recess in neighboring woods.
Trees of the soberest hues, thick-leaved and tall,
Arch it o’ erhead and column it around,
Framing a covert, natural and wild,
Domelike and dim; though nowhere so enclosed
But that the gentlest breezes reach the spot
Unwearied and unweakened. Sound is here
A transient and unfrequent visitor;
Yet if the day be calm, not often then,
Whilst the high pines in one another’ s arms
The sill plays a cruel joke — thrones me. Frames me
lording over lawn mower stripes — myself
in a shallow trench. In grass blades. Myself
persisting, despite a dickhead sun — me
in chlorophyll. Early, I find myself
swaying — me! in the black chokeberry, me!
in the rabbit’ s throat. Me, the rabbit. Me
dancing out pellets. Out-dancing myself —
my father’ s pellet gun, the hawk. The joke
is a bright belly full of dark hopping
along my father’ s garden & the joke
small, between wrapped talons, is the hawking
The wooden scent of wagons,
the sweat of animals — these places
keep everything — breath of the cotton gin,
black damp floors of the icehouse.
I acknowledge my status as a stranger:
Inappropriate clothes, odd habits
Out of sync with wasp and wren.
I admit I don’t know how
To sit still or move without purpose.
I prefer books to moonlight, statuary to trees.
Thou know’ st my praise of nature most sincere,
And that my raptures are not conjur’ d up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken’ d to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern’ d
The distant plough slow-moving, and beside
His lab’ ring team, that swerv’ d not from the track,
Child
one with the sun
in trackless fields
of yellow grass and thistle, scent
of humid heavy air and the wing music
of bees and flies.
Child, slender
nakedness to itself unknown,
true colour of the light
dispersed invisibly
or glowing around the black hulls
of distant thunderheads, around
the grasshopper’ s countenance,
solemn, vigilant and wise.
Day and night, the lake dreams of sky.
A privacy as old as the mountains
And her up there, stuck among peaks. The whole eye
Fastened on hawk, gatherings of cloud or stars,
So little trespass. An airplane once
Crossed her brow; she searched but could not find
A face. Having lived with such strict beauty
She comes to know how the sun is nothing
But itself and the path it throws; the moon
Darling, I leave you the forever unblooming
twig half-sunk in spring mud & the Nature that allows
such delicate & lasting atrocity.
Darling, darling, darling: my voice is a branch that would reach.
I leave you the ragged sky, once full of cloud & now
not. I leave you these things just as I leave
you: graceful passage from one something to the next.
Darling, even in this my voice dissipates
