One does not want,
O Lord, to heap
Up by still waters
Of words a cairn
But hopes to attend
A small covert
Of tamarisk
Whose leaves salty
Yet feathery
Will shed light over
A thickened plot.
One wants at last
To cede the field
To tamarisk
And mastic tree,
To olive and stone,
Stones in the fruit,
Seed in the stones.
Then there's the Yemeni legend
of Eve in the Garden knitting
a pattern on the serpent's back,
the snake unfinished like the rest
of creation, the first woman
thinking to add design, a sheath
of interlocking diamonds and stripes
along that sensuous S,
Cleanse me of my iniquity
and wash away my sins.
Laugh, Lord, at my obliquity.
In you laughter begins.
Regard this little steeple.
You gave to the High Plains
a flock of sheep, the people
who drink deep when it rains.
I shall number all the stones
Assyria has laid low.
I shall number all my bones
as David did long ago.
Oh, what a troubled route man took,
descending from the trees:
cave paintings and the printed book
made on his bended knees.
Some say it’ s in the reptilian dance
of the purple-tongued sand goanna,
for there the magnificent translation
of tenacity into bone and grace occurs.
And some declare it to be an expansive
desert — solid rust-orange rock
like dusk captured on earth in stone —
simply for the perfect contrast it provides
to the blue-grey ridge of rain
in the distant hills.
I like you, Mrs. Fry! I like your name!
It speaks the very warmth you feel in pressing
In daily act round Charity’ s great flame —
I like the crisp Browne way you have of dressing,
Good Mrs. Fry! I like the placid claim
You make to Christianity, — professing
Love, and good works — of course you buy of Barton,
Beside the young fry’ s bookseller, Friend Darton!
What god was it that would open
earth’ s picture book and see the two
of us on a road, snowfields glittering
on every side and poplars bent like
the fingers of an old man clutching
what he loved about the sun?
Which one was it that would peer
into our thatched, white-washed
farmhouse, and see the fur, flies,
and shit-stained walls? Which one
laughed at the barbed wire fences,
the wall topped with broken glass?
A tree that grew in the Garden of Eden
a tree of innocence called
the Tree of Good and Evil. It was harmless
as opposites are in balance. It was also
tasteless,
the taste of innocence before it is betrayed.
When God removed the wall
he gave the lemon thorns and bitterness because it had
no hostility.
It is a taste we want most to subdue. It asks
to be left alone.
We use it with fish and tea. We sugar it.
A chicken soup for the rainbow lover’ s soul.
A chicken soup for the lover of chicken soup.
A carnage of birds, a devastation.
Chicken soup for the dried-up garden —
It’ s been a lousy summer sucking us dry.
Chicken soup for the grocery list.
Chicken soup for unwanted potatoes.
Chicken soup for extinct animals.
To cure a child of rickets, split a living
ash tree down its length and pass
the child through
(naked, headfirst, three times).
Seal the two halves of the tree back up
and bind them with loam and black
thread. If the tree heals, so will the child.
(The child must also be washed
for three mornings in the dew
of the chosen tree.)
When he had suckled there, he began
to grow: first, he was an infant in her arms,
but soon, drinking and drinking at the sweet
milk she could not keep from filling her,
from pouring into his ravenous mouth,
and filling again, miraculous pitcher, mercy
feeding its own extinction... soon he was
