Cold Calls: War Music, Continued
Many believe in the stars.
Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.
Gone.
Odysseus to Greece:
Many believe in the stars.
Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.
Gone.
Odysseus to Greece:
Christmas trees lined like war refugees,
a fallen army made to stand in their greens.
Cut down at the foot, on their last leg,
they pull themselves up, arms raised.
We drop them like wood;
tied, they are driven through the streets,
dragged through the door, cornered
in a room, given a single blanket,
only water to drink, surrounded by joy.
Forced to wear a gaudy gold star,
to surrender their pride,
they do their best to look alive.
This season for us, the Jews —
a season of candles,
one more
on the seven-branched candlestick for
the seven days of the week,
but let it be seven
in the sense of luck in dice,
seven of the stars in
the constellations:
Orion, Aldebaran in the sky
A momentary rupture to the vision:
the wavering limbs of a birch fashion
the fluttering hem of the deity’ s garment,
the cooling cup of coffee the ocean the deity
waltzes across. This is enough — but sometimes
the deity’ s heady ta-da coaxes the cherries
in our mental slot machine to line up, and
our brains summon flickering silver like
salmon spawning a river; the jury decides
in our favor, and we’ re free to see, for now.
Ominous inscrutable Chinese news
to get just before Christmas,
considering my reasonable health,
marriage spicy as moo-goo-gai-pan,
career running like a not-too-old Chevrolet.
Not bad, considering what can go wrong:
the bony finger of Uncle Sam
might point out my husband,
my own national guard,
and set him in Afghanistan;
my boss could take a personal interest;
the pain in my left knee could spread to my right.
Still, as the old year tips into the new,
I insist on the infant hope, gooing and kicking
I am the Woman, ark of the law and its breaker,
Who chastened her steps and taught her knees to be meek,
Bridled and bitted her heart and humbled her cheek,
Parcelled her will, and cried "Take more!" to the taker,
Shunned what they told her to shun, sought what they bade her seek,
Locked up her mouth from scornful speaking: now it is open to speak.
How do you explain why elephants
appear to move their unwieldy hulks
with greater dignity than most humans do
in their finest moments,
as if they had evolved beyond wanting
anything but what they have?
Why does the field begin to ripple
before the wind arrives in whispers,
as if there were a communication,
as if the landscape were poorly dubbed,
and we weren’ t expected to notice?
What butterfly does not dart away from us
as if it could sense our latent cruelties,
and yet return to check and double-check?
I, the Lord, will make barren
your fields and your fairways.
Your refrigerators will be empty,
no steaks and no leg bones,
no butter and no cornbread.
And I will remove your screen doors,
force the mosquitoes indoors
where you lie on the bed undead.
For my house you have not readied,
no flat screen and no broadband.
My habitation is a wasteland
of furniture from motel rooms.
I will send the ostrich and badger
in herds through your wrecked rooms;
your beds will be entered by turnstile;
The first day was a long day
and the first night nearly eternal.
No thing existed, and only One was present
to perceive what wasn’ t there.
No meaning as we know it;
difference was bound in the All.
On the first day, water,
on the second day, land,
on the third day, two kinds of light,
one of them night.
On the fourth day, laughter,
and darkness saw it was good.
But when God laughed,
a crack ran through creation.
On the fourth night, sorrow,
staring away from heaven,
torn in its ownness.
Ethics without faith, excuse me,
is the butter and not the bread.
You can’ t nourish them all, the dead
pile up at the hospital doors.
And even they are not so numerous
as the mothers come in maternity.