Is it, then, your opinion
Women are putty in your hands?
Is this the face to launch upon
A thousand one night stands?
First, please, would you be so kind
As to define your contribution
To modern verse, the Western mind
And human institutions?
Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore —
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’ Tis some visitor,” I muttered, “tapping at my chamber door —
Only this and nothing more.”
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’ t deal in lies,
Or being hated, don’ t give way to hating,
And yet don’ t look too good, nor talk too wise:
And, the last day being come, Man stood alone
Ere sunrise on the world’ s dismantled verge,
Awaiting how from everywhere should urge
The Coming of the Lord. And, behold, none
Did come, — but indistinct from every realm
Of earth and air and water, growing more
And louder, shriller, heavier, a roar
Up the dun atmosphere did overwhelm
His ears; and as he looked affrighted round
Every manner of beast innumerable
All thro’ the shadows crying grew, until
The wailing was like grass upon the ground.
It’ s autumn in the country I remember.
How warm a wind blew here about the ways!
And shadows on the hillside lay to slumber
During the long sun-sweetened summer-days.
It’ s cold abroad the country I remember.
The swallows veering skimmed the golden grain
At midday with a wing aslant and limber;
And yellow cattle browsed upon the plain.
It’ s empty down the country I remember.
I had a sister lovely in my sight:
Her hair was dark, her eyes were very sombre;
We sang together in the woods at night.
That the dead are real to us
Cannot be denied,
That the living are more real
When they are dead
Terrifies, that the dead can rise
As the living do is possible
Is possible to surmise,
But all the stars cannot come near
All we meet in an eye.
Flee from me, fear, as soot
Flies in a breeze, do not burn
Or settle in my sight,
I’ ve tasted you long enough,
Let me savor
Something otherwise.
Who wakes beside me now
Suits my soul, so I turn to words
Only to say he changes
The burden of hard hitting. Slug away
Like Honus Wagner or like Tyrus Cobb.
Else fandom shouteth: “Who said you could play?
Back to the jasper league, you minor slob!”
Swat, hit, connect, line out, get on the job.
Else you shall feel the brunt of fandom’ s ire
Biff, bang it, clout it, hit it on the knob —
This is the end of every fan’ s desire.
loquitur the sparrow in the Zoo
No bars are set too close, no mesh too fine
To keep me from the eagle and the lion,
Whom keepers feed that I may freely dine.
This goes to show that if you have the wit
To be small, common, cute, and live on shit,
Though the cage fret kings, you may make free with it.
September 1956
This is my past where no one knows me.
These are my friends whom I can’ t name —
Here in a field where no one chose me,
The faces older, the voices the same.
Why does this stranger rise to greet me?
What is the joke that makes him smile,
As he calls the children together to meet me,
Bringing them forward in single file?
I nod pretending to recognize them,
Not knowing exactly what I should say.
Why does my presence seem to surprise them?
Who is the woman who turns away?
