The batture’ s water and sand disappear
when water swells the river,
heat’ s portion of a northern winter.
Under willows cropped up
since our last cow is dead
and carried to the batture
to be taken by the water
clean into another season,
we sit on green granite
piled deep enough to keep
the batture dry one more week.
I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred —
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It's like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
Put an ear to the light at fall
of dark and you will hear
nothing. This pale luminescence
that drifts in upon them
makes a blue bole of their caves,
a scare of their scything
tails. They tell
in the bubbling dark of images
that come in upon them
when light spreads like an oil slick
and sea fans
that once were their refuge
turn away.
Now there is no dark
dark enough for their silver tails,
scatter of color
(like coins massively
piling in the lap of a miser)
August long ago, the summer Lemnian
(not like the deeds of those who killed their men),
the self a glowing bead, like Hephaestus falling
daylong out of heaven in the old story,
the island's interior a forge, a glory hole,
the odor of wild thyme borne offshore steadily,
the Aegean Sea purple, wine-dark, without epithet;
and as I walked on the beach, my mother not long dead,
the perfect crystal of my self-regard
so lately flawed, and landscape made to echo
my own low cry in the island's empty places,
Dormant are pinnacles and streams of the mountains,
Chasms and bluffs and crawlers fed by the dark earth;
Dormant are wild animals and that tribe of bees
And monsters out of the sea’ s dark syntax;
Dormant are clans of birds with wings that envelop.
I
here I’ m here I’ m here I’ m
here here here here cricket
pulse — the katydidic tick
(and then a pause) tick
(and then a pause) in greening trees — tales
of a gratitude for water, the hollyhock’ s
trumpet Yes, Tenderness
her glove and hoe — her bad trip
love/grief, her medic tent
talking me down, kissed fissures
in the world’ s despair, what I’ d
loved — alive for a while — a day called
Rip and Brood, a day called
Glorious Hour, the long hunt and the worm found
Ay, tear her tattered ensign down!
Long has it waved on high,
And many an eye has danced to see
That banner in the sky;
Beneath it rung the battle shout,
And burst the cannon’ s roar; —
The meteor of the ocean air
Shall sweep the clouds no more!
Behold the rocky wall
That down its sloping sides
Pours the swift rain-drops, blending, as they fall,
In rushing river-tides!
Yon stream, whose sources run
Turned by a pebble’ s edge,
Is Athabasca, rolling toward the sun
Through the cleft mountain-ledge.
There is a land of pure delight
Where saints immortal reign;
Infinite day excludes the night,
And pleasures banish pain.
There everlasting spring abides,
And never-withering flowers;
Death like a narrow sea divides
This heavenly land from ours.
Secret they are, sealed, annealed, and brainless
And solitary as Dickens said, but
They have something to say: that there is more
Than one way to yield. The first — and the hardest.
The most nearly hindered — is when you pull
Them off the rocks, a stinking, sawing sedge
Sucking them back under the black mud, full
