1
She was twenty-two. He was fifty-three,
a duke, a widower with ten children.
They met in Paris, each in exile from
the English Civil War. Virginal
and terrified, still she agreed
to marry him. Though women were mere chattel
spinsterhood made you invisible
in the sixteen hundreds. Marriage was arranged
— hers a rare exception. Despite a dowry
a woman never could own property.
Your womb was just for rent. Birth control
contrivances — a paste of ants, cow dung
My father paces the upstairs hall
a large confined animal
neither wild nor yet domesticated.
About him hangs the smell of righteous wrath.
My mother is meekly seated
at the escritoire. Rosy from my bath
age eight-nine-ten by now I understand
his right to roar, hers to defy
the bill from Wanamaker’ s in his hand
the bill from Strawbridge’ s held high
We here at Progressive Health would like to thank you
For being one of the generous few who've promised
To bequeath your vital organs to whoever needs them.
Now we'd like to give you the opportunity
To step out far in front of the other donors
By acting a little sooner than you expected,
We tied branches to our helmets.
We painted our faces & rifles
with mud from a riverbank,
blades of grass hung from the pockets
of our tiger suits. We wove
ourselves into the terrain,
content to be a hummingbird’ s target.
We hugged bamboo & leaned
against a breeze off the river,
slow-dragging with ghosts
from Saigon to Bangkok,
with women left in doorways
reaching in from America.
We aimed at dark-hearted songbirds.
The victorious army marches into the city,
& not far behind tarries a throng of women
Who slept with the enemy on the edge
Of battlements. The stunned morning
Opens into a dust cloud of hooves
& drums. Some new priests cradle
Stone tablets, & others are poised
With raised mallets in a forest of defeated
Statuary. Of course, behind them
Linger the turncoats & pious
Merchants of lime. What’ s Greek
Is forged into Roman; what’ s Roman
The sun slides down behind brick dust,
today’ s angle of life. Everything
melts, even when backbones
are I-beams braced for impact.
Sequential sledgehammers fall, stone
shaped into dry air
white soundsystem of loose metal
under every footstep. Wrecking crews,
men unable to catch sparrows without breaking
wings into splinters. Blues-horn
He danced with tall grass
for a moment, like he was swaying
with a woman. Our gun barrels
glowed white-hot.
When I got to him,
a blue halo
of flies had already claimed him.
I pulled the crumbled photograph
from his fingers.
There's no other way
to say this: I fell in love.
The morning cleared again,
except for a distant mortar
& somewhere choppers taking off.
I slid the wallet into his pocket
& turned him over, so he wouldn't be
kissing the ground.
Since it always begins
in the unlikeliest place
we start in an obsolete country
on no current map. The camera
glides over flower beds,
for this is a southern climate.
We focus on medals, a horse,
on a white uniform,
for this is June. The young man
waves to the people lining the road,
he lifts a child, he catches
a rose from a wrinkled woman
in a blue kerchief. Then we hear shots
and close in on a casket
draped in the Austrian flag.
Thirty-one days torn off a calendar.
Last night a man on the radio,
a still young man, said the business district
of his hometown had been plowed under.
The town was in North Dakota.
Grass, where the red-and-gold
Woolworth sign used to be,
where the revolving doors
took him inside Sears;
gone the sweaty seats
of the Roxy — or was it the Princess —
of countless Friday nights
that whipped his heart to a gallop
when a girl touched him, as the gun
on the screen flashed in the moonlight.
This is not fantasy, this is our life.
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.
Both hands are stopped at noon.
We are beginning to live forever,
in lightweight, aluminum bodies
with numbers stamped on our backs.
We dial our words like Muzak.
We hear each other through water.
