U.S.

You are the kind of  person who buys exotic fruits
leaves them out on the counter until they rot
You always mean to eat them sometimes you rearrange them
rousing over the bowl a cloud of tiny flies

&

Today you find yourself guilty
as the rim you split
an egg against
You press charges
You spell out your name
like the letters are medals
for good conduct in a bad war
The night moves in with you
into your room
until even your sleep
is not your own
Through the window
the grass tells you
to give up
and you are trying
but on the other hand
things keep you:
the moon, the cars, cars
You undress yourself
more deeply down
like this is the way
to get to the future

All those poems I wrote
About living in the sky
Were wrong. I live on a leaf
Of   a fern of   frost growing
Up your bedroom window
In forty below.

I live on a needle of   a branch
Of   a cedar tree, hard-bitten,
Striving in six directions,
Rooted in rock, a cedar
Tree made of other trees,
Not cedar but fir,

Lodgepole, and blue spruce,
Metastasizing like
Bacteria to the fan-
Lip of a draw to draw
Water as soon as it slips
From the snowdrift’ s grip

It turns out there’ s a difference between a detail
and an image. If the dandelion on the sidewalk is
mere detail, the dandelion inked on a friend’ s bicep
is an image because it moves when her body does,

even when a shirt covers the little thorny black sun
on a thin stalk. The same way that the bar code
on the back of another friend’ s neck is just a detail,
until you hear that the row of numbers underneath

I know that rarity precedes extinction,
Like that of the purple orchid in my garden,
Whose sudden disappearance rattled me.

Jane, in her way, is also beautiful.
And therefore near extinction, I suppose.
She is certainly rare and fragile of  bone.

She insists she is dying, day by dubious day,
And spends her evenings looking at photographs
Of  her mother, who never believed in love.

Rare Jane, I worship you. But I can’ t deny
You access to the endless
With its river of cold stars.

We’ ve come back to the site of   her
conception. She calls it why

and cries all night,
sleepless, wild.

It seems the way is always
floating and the goal —

to live so the ghosts we were
don’ t trail us and echo.

I think we are inside a flower,
under a pollen of stars vast as scattered sand.

The air pulses with perfume,
flowers calling to flowers and the ferrying air.

But my eyes are thin and elsewhere.
I am thinking, maybe

There are fewer introductions
In plague years,
Hands held back, jocularity
No longer bellicose,
Even among men.
Breathing’ s generally wary,
Labored, as they say, when
The end is at hand.
But this is the everyday intake
Of   the imperceptible life force,
Willed now, slow —
Well, just cautious
In inhabited air.
As for ongoing dialogue,
No longer an exuberant plosive
To make a point,
But a new squirreling of air space,
A new sense of   boundary.
Genghis Khan said the hand

Some species can crack pavement with their shoots
to get their share of sun some species lay
a purple froth of eggs and leave it there
to sprinkle tidepools with tadpole confetti
some species though you stomp them in the carpet
have already stashed away the families
that will inherit every floor at midnight
But others don’ t go forth and multiply
as boldly male and female peeling the bamboo
their keepers watching in despair or those
endangered species numbered individually

I don’ t buy it, says

the scientist.

Replies the frail

and faithful heart,

it’ s not for sale.

Full of strength and laced
with fragility:

the thoroughbred,
the hummingbird,
and all things
cursed
with agility.