U.S.

The neck
of the flask
pitch black-getting bored
jacked
also madness, insidious
intended ghost
(days late)
I cross green & white flowered seas
Valentines, May Day

I cut out the “Heart with Snowflake”
Myself but it is not mine, Forget
This bloody coat bloody shirt, I
Think it is the writing that makes
Me sick, The scores and scores of
Incidental music, this nosebleed all
Spring all wet, I’ m positively angry
with the Impertinence of it! I’ m
Sewing up the kinks in this film, I’ m
Trying to! I’ m trying to burn a light
Between, There’ s a light and I cable
my voice on it but it rips when I trace
Anything! WORKS ON PAPER, THE SHIP
OF DEATH “Oh build it!” Sings the

Life in
unbridled

collapse, Let tuneful praise ascend

Not a single line

out of step with my band, aboard

the riverboat
when the sun
shown red

and especially dark upon my room

In a year the nightingales were said to be so loud
they drowned out slumber, and peafowl strolled screaming
beside the ruined nunnery, through the long evening
of a dazzled pub crawl, the halcyon color, portholed
by those eye-spots’ stunning tapestry, unsettled
the pastoral nightfall with amazements opening.

(Bubbling and spuming
as if trying to talk under
water, I address you thus:)
Must I pretend not to love
you (in your present bloom,
your present perfection — soul
encased in fleshly relevance)
so you won’ t believe me
just another seabed denizen
vying for your blessed attention?
Some of us (but not you)
are so loosely moored
to our bodies we can
barely walk a straight line,
remaining (most days) only
marginally conscious.
We stagger and shudder
as buckets of   blood or sperm

How long and thin
she seems today
a field of mustard
smiling up at the sun
it draws her eyebrows
together in a little pain
I don’ t think I ever
saw calligraphy of geese
like this overseas
oaks and pines
pretending to be asleep
not quite dark yet
as it is at home
poor people, midnight

The whole country
in a courtly dance
its tiny mouth open
I pour another cup of wine
and falling, rising
the children remove their toys
around the small apartment
to their bunk beds
not quite dark yet
early spring with snow
on the wind
the woman across the street
bent like a sickle
collecting bottles and cans
knocks, goes on
I wonder where she lives
and the stars shining
on her greasy clothes

We were young and it was an accomplishment
to have a body. No one said this. No one
said much beyond “throw me that sky” or
“can the lake sleep over?” The lake could not.
The lake was sent home and I ate too many
beets, went around with beet-blood tongue
worrying about my draft card-burning brother
going to war. Other brothers became holes
at first base at war, then a few holes
Harleying back from war in their always
it seemed green jackets with pockets galore
and flaps for I wondered bullets, I wondered

A cooler
head of lettuce prevailed, but when the actor
asked his question and paused
for us to watch him pause and think
inside the pause, I almost answered
as if we were in a bar, just the two of us
and a balcony and spotlight. The two of us
and programs and makeup and a sofa
from the director’ s living room and the black/
womb/agora/séance of theater inviting us to feel
together alone. I recall I don’ t recall
the question but its scope on his face

People, don't ask me again where my shoes are.
The valley I walked through was frozen to me
as I was to it. My heavy hide, my zinc
talisman — I'm fine, people. Don't stare
at my feet. And don't flash the sign of the cross
in my face. I carry the Blue Cross Card —
card among cards, card of my number
and gold seal. So shall ye know I am of
the system, in the beast's belly and up
to here, people, with your pity.