U.S.

Sheets entangle him
Naked on his bed
Like a toppled mast
Slack sails bedeck
At sea, no ballast
For that even keel
He cannot keep —
No steering wheel
As he falls asleep

Fellow fugitive
Forgive yourself
And me thereby
Thus we can live
Whatever’ s left
Of time for us,
Each day a gift
We take on trust

The stars are
Although I do not sing
About them —
The sky and the trees
Are indifferent
To whom they please
The rose is unmoved
By my nose
And the garland in your hair
Although your eyes be lakes, dies

A heave of afternoon light pulls a tulip from the turf, a bower for locusts, a cup of shells. The farmhouse tilts, a bent shadow on wheels. In cedar rooms a family is molded, silent, wrapped in the wire of steel eyes and stopped voice, romantic ash. This is not my house, my ghost, my uninvited guest, my lost labor of love, my thicket or grease, my JPEG gessoed or rawhide suit. The yellow light throbs like an internal organ — soft body of an overture to insect sounds — sapling of a new world — whose future awaits me at the tilting window of my own domestic hut.

Transfixed to the, by the, on the congruities, who is herself a vanishing point coming to closure — dusky flutter — trilling away like a watchdog on drugged sop, channeling her mother and grandmother who’ ve engraved on her locket phrases in script: “glide on a blade” and “rustling precedes the shuck.” This is not my teeming fate, my rind, my roiling ellipsis or valedictory spray of myrrh.

Never mind what you think.
The old man did not rush
Recklessly into the coop the last minute.
The chickens hardly stirred
For the easy way he sang to them.
Red sun is burning out
Past slag heaps of the mill. The old man
Touches the blade of his killing knife
With his fat thumb.
I’ m in the backyard on a quilt
Spread out under the heavy dark plums
He cooks for his whiskey.

I watch the woods for deer as if I’ m armed.
I watch the woods for deer who never come.
I know the hes and shes in autumn
rendezvous in orchards stained with fallen
apples’ scent. I drive my car this way to work
so I may let the crows in corn believe
it’ s me their caws are meant to warn,
and snakes who turn in warm and secret caves

After three months, Virginia is still a frontier.
Late at night, I close the door
on my husband practicing Mozart, the dishpan fills
and the network affiliates sign off one by one.
Now the country stations, tuning up like crickets
on radios in scattered valley kitchens:
Har yall this evenin folks!
(Wanting to say ‘I’ m real fine’ I whisper ‘Wow.’)
Got your Green Hill chicory perkin’? An army
of women, straightened and ironed and blued
like Picasso’ s ironer — jerking coffeecups

All seas are seas in the moon to these
lonely and full of light.
High above laundries and rooftops
the pinstriped silhouettes speak nightmare
as do the faces full of fire and orange peel.
Every citizen knows what’ s the trouble: America’ s longest
river is — New York; that’ s what they say, and I say so.