Billy Collins

There is no noisier place than the suburbs,
someone once said to me
as we were walking along a fairway,
and every day is delighted to offer fresh evidence:

the chainsaw, the leaf-blower blowing
one leaf around an enormous house with columns,
on Mondays and Thursdays the garbage truck
equipped with air brakes, reverse beeper, and merciless grinder.

There’ s dogs, hammers, backhoes
or serious earthmovers if today is not your day.
How can the birds get a peep
or a chirp in edgewise, I would like to know?

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,

then night with his notorious perfumes,
his many-pointed stars?

This is the best —
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso —

maybe a splash of water on the face,
a palmful of vitamins —
but mostly buzzing around the house on espresso,

dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,

There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.

The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.

The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.

The silence when I hold you to my chest,
the silence of the window above us,
and the silence when you rise and turn away.

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze

that it made you want to throw
open all the windows in the house

and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,

a day when the cool brick paths
and the garden bursting with peonies

seemed so etched in sunlight
that you felt like taking

a hammer to the glass paperweight
on the living room end table,

releasing the inhabitants
from their snow-covered cottage