Imperfect things are always —
it seems — a wave
of some wand away
from perfection.
They’ re there — the toady
and the bumpy
with warts — for turning
into princes. Even pumpkins —
propped upon
piles of lumber —
idle like unupholstered
carriages up on cinder
blocks. But a trifle’ s potential —
its capacity for alchemy, actually —
can leave you longing
for lead. So many things
you think are Prince Hals
are really just kings.
All afternoon the shadows have been building
A city of their own within the streets,
Carefully correcting the perspectives
With dark diagonals, and paring back
Sidewalks into catwalks, strips of bright
Companionways, as if it were a ship
This counter-city. But the leaning, black
Enjambements like ladders for assault
Scale the façade and tie them to the earth,
Confounding fire-escapes already meshed
In slatted ambiguities. You touch
The sliding shapes to find which place is which
All creatures of our God and King
Lift up your voice and with us sing,
Alleluia! Alleluia!
Thou burning sun with golden beam,
Thou silver moon with softer gleam!
O praise Him! O praise Him!
Alleluia! Alleluia! Alleluia!
Thou rushing wind that art so strong
Ye clouds that sail in Heaven along,
O praise Him! Alleluia!
Thou rising moon, in praise rejoice,
Ye lights of evening, find a voice!
O ME, man of slack faith so long!
Standing aloof--denying portions so long;
Only aware to-day of compact, all-diffused truth;
Discovering to-day there is no lie, or form of lie, and can be none,
but grows as inevitably upon itself as the truth does upon
itself,
Or as any law of the earth, or any natural production of the earth
does.
(This is curious, and may not be realized immediately--But it must be
realized;
I feel in myself that I represent falsehoods equally with the rest,
And that the universe does.)
Father, this year’ s jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne’ s, an English Ford,
the love and legal verbiage of another will,
The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.
The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.
All the hills and vales along
Earth is bursting into song,
And the singers are the chaps
Who are going to die perhaps.
O sing, marching men,
Till the valleys ring again.
Give your gladness to earth's keeping,
So be glad, when you are sleeping.
Cast away regret and rue,
Think what you are marching to.
Little live, great pass.
Jesus Christ and Barabbas
Were found the same day.
This died, that went his way.
So sing with joyful breath,
For why, you are going to death.
All their fences
All their prisons
All their exercises
All their agendas
All their stanzas look alike
All their metaphors
All their bookstores
All their plantations
All their assassinations
All their stanzas look alike
All their rejection letters
All their letters to the editor
All their arts and letters
Slowing down your body enough to feel.
Thought you were at a standstill
but you were only slowing down enough
to feel the pain. There are worse things
than running to catch the train, twisting
your ankle, the afternoon fucked.
Running to get to or away from?
the stranger who helps you up
wants to know, you who are so used to
anything scribbled on a prescription blank.
Just want the pain to go away, you say,
surprised to find yourself
reaching for someone else's hand.
1
In the Forest of Wearisome Sadness,
Where one day I found myself wandering alone,
I met my heart, who called to me, asking me where I was going.
The path was long and straight, row after row of conifers receding
To a horizon that because of the geometry
Seemed farther than it really was,
Like the door at the top of a staircase in Versailles.
But as if the forest’ s maker had been offended by elegance,
A pile of rocks disrupted the rows: the forest once
Had been a field. I remember that field.
