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Preludes

I
The winter evening settles down
With smell of steaks in passageways.
Six o’ clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

Pretty Convincing

Talking to my friend Emily, whose drinking
patterns and extravagance of personal
feeling are a lot like mine, I’ m pretty
convinced when she explains the things we do
while drinking (a cocktail to celebrate the new
account turns into a party that lasts till 3
a. m. and a terrific hangover) indicate
a problem of a sort I’ d not considered.
I’ ve been worried about how I metabolize
the sauce for four years, since my second bout
of hepatitis, when I kissed all the girls
at Christmas dinner and turned bright yellow

Private Beach

It is always the dispossessed —
someone driving a huge rusted Dodge
that’ s burning oil, and must cost
twenty-five dollars to fill.

Today before seven I saw, through
the morning fog, his car leave the road,
turning into the field. It must be
his day off, I thought, or he’ s out
of work and drinking, or getting stoned.
Or maybe as much as anything
he wanted to see
where the lane through the hay goes.

Problems of Knowledge

Translation broadens language
as divorce and remarriage extend family.

Born to fade and break, facts
huddle inside black brackets.

Work means inquisition as a child
separates a cricket’ s wings from thorax.

Ideas come apart as monads, metastasizing
rhapsody on the edge of delicate dusk.

Thunder sounds in the distance or television,
always on in this constant rain.

Prof of Profs

I was a math major — fond of all things rational.
It was the first day of my first poetry class.
The prof, with the air of a priest at Latin mass,
told us that we could “make great poetry personal,”

could own it, since poetry we memorize sings
inside us always. By way of illustration
he began reciting Shelley with real passion,
but stopped at “Ozymandias, King of Kings;

Look on my Works, ye Mighty, and despair!” —
because, with that last plosive, his top denture
popped from his mouth and bounced off an empty chair.

Professional Middle-class Couple, 1927

Professional Middle-class Couple, 1927 by August Sander
What justifies the inequality
That issues her a tastefully square-cut
Ruby for her finger, him a suit
Whose rumpled, unemphatic dignity
Declares a life of working sitting down,
While someone in a sweatshop has to squint
And palsy sewing, and a continent
Sheds blood to pry the gemstone from the ground,
Could not be justice. Nothing but the use
To which they put prosperity can speak
In their defense: the faces money makes,

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