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Tonight I Can Almost Hear the Singing

There is a music to this sadness.
In a room somewhere two people dance.
I do not mean to say desire is everything.
A cup half empty is simply half a cup.
How many times have we been there and not there?
I have seen waitresses slip a night's
worth of tips into the jukebox, their eyes
saying yes to nothing in particular.
Desire is not the point.
Tonight your name is a small thing
falling through sadness. We wake alone
in houses of sticks, of straw, of wind.
How long have we stood at the end of the pier

TonightTonight

Where are you now? Who lies beneath your spell tonight?
Whom else from rapture’ s road will you expel tonight?

Those “Fabrics of Cashmere — ” “to make Me beautiful — ”
“Trinket” — to gem — “Me to adorn — How tell” — tonight?

I beg for haven: Prisons, let open your gates —
A refugee from Belief seeks a cell tonight.

God’ s vintage loneliness has turned to vinegar —
All the archangels — their wings frozen — fell tonight.

Lord, cried out the idols, Don’ t let us be broken;
Only we can convert the infidel tonight.

tonk and waterfront, black line fade, unbuilt hotel, that union hall

the archive dance of

frank gehry crumples

to the sky its finger
and walking bridge.
the mummers disappear
my city sounds.
dance crumples to

the archive sky of fela.

the breaking public crush
a lot and pilgrimage from

greenville (to farmville) to ruleville up the road.
let me place Mrs. Hamer, who

crush like an architect outside, like

broke composition, in parchman.
lula and helena strayed
to the dock, founded the hiding

republic of the westside trucks to come

Torch

If I could hold a fire against
a hemisphere of shadows, hold it
close, not so that damage
finds my hands, but so fire scatters
galvanizing strands, my pupils
responsive to the flames’ unbridled
tutelage as they tell me
nothing but these little jumps
out of your definitions, small
or large or leaping, sinking, slumped...
If I could hold a fire against
that latticework of shadows, standing
close to flames pivoting without
being singed or riveted or convinced
it is the only spirit, like a god,

Torque

After his ham & cheese in the drape factory cafeteria,
having slipped by the bald shipping foreman
to ride a rattling elevator to the attic
where doves flicker into the massive eaves
and where piled boxes of out-of-style
cotton and lace won’t ever be
decorating anyone’s sun parlor windows.
Having dozed off in that hideout he fixed
between five four-by-six cardboard storage cartons

Touch Gallery: Joan of Arc

The sculptures in this gallery have been
carefully treated with a protective wax
so that visitors may touch them.
— exhibitions, the art institute
of chicago
Stone soldier, it's okay now.
I've removed my rings, my watch, my bracelets.

I'm allowed, brave girl,
to touch you here, where the mail covers your throat,
your full neck, down your shoulders
to here, where raised unlatchable buckles
mock-fasten your plated armor.

Nothing peels from you.

Tourist

Warsaw, October: rose-madder by four,
the soldierly grey boulevards slippery

with tickets to winter. After forty years rebuilding,
the Old Town is like this beautiful girl I knew

whose face was wheel-broken in a crash,
and remade so well it was hard to say how

she looked wrong. I’ d brought two questions here —
holding them as if they might slip: who were

my mother’ s people? Where did they die?
In an attic-archive — deep card indexes, ink turned lilac

Tragedy

Melt the fat around the heart;
Leave only muscle.

For us
Spectators

Leave
Only muscle;

Only trim the fat
To depth.

And, even if you
Nick the heart,

If you tear it
Or scratch it,

If you slice a petal off it,
Don’ t sweat it.

Be mindful only
That you leave the muscle

Clean,
Sheared of  fat.

Or you can
Char the heart,

Melt down the fat,
Then eat it

With fucking
Fava beans.

Whatever you do,
Be sure

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