Into the changes of autumn brush
the doe walked, and the hide, head, and ears
were the tinsel browns. They made her.
I could not see her. She reappeared, stuffed with apples,
and I shot her. Into the pines she ran,
and I ran after. I might have lost her,
seeing no sign of blood or scuffle,
but felt myself part of the woods,
a woman with a doe’ s ears, and heard her
dying, counted her last breaths like a song
of dying, and found her dying.
I shot her again because her lungs rattled like castanets,

You give me a little courage, Mary,
in your skittish dedication to her highness;
I too can dare as humbleness may dare;
if there’ s anywhere to speak with you, it’ s here
at the wordy Anglo-Saxon periphery
of the universe’ s one great surge of praise

though I’ m lost here. Where’ s the joyful noise?
the syllables I managed to memorize
before they were weighted down by meaning?
and what’ s all this complicated rhyme?
Don’ t mistake me — I’ m not complaining;
it’ s just not my notion of a psalm

Nature, which is the vast creation’ s soul,
That steady curious agent in the whole,
The art of Heaven, the order of this frame,
Is only number in another name.
For as some king conqu’ ring what was his own,
Hath choice of several titles to his crown;
So harmony on this score now, that then,
Yet still is all that takes and governs men.
Beauty is but composure, and we find
Content is but the concord of the mind,
Friendship the unison of well-turned hearts,
Honor the chorus of the noblest parts,

Late October. It is afternoon.
My daughter and I walk through the leaf-strewn
Corridors of the park
In the light and the dark
Of the elms' thin arches.

Around us brown leaves fall and spread.
Small winds stir the minor dead.
Dust powders the air.
Those shrivelled women stare.
At us from their cold benches.

Child, your mittens tug your sleeves.
They lick your drumming feet, the leaves.
You come so fast, so fast.
You violate the past,
My daughter, as your coat dances.