Fragments: Mrs. Reuben Chandler writes to her husband during a cholera epidemic
August, 1849 EN ROUTE FROM NEW YORK TO NEW ORLEANS
ABOARD THE 'GENERAL WAYNE'
August, 1849 EN ROUTE FROM NEW YORK TO NEW ORLEANS
ABOARD THE 'GENERAL WAYNE'
Whenever my father was left with nothing to do —
waiting for someone to 'get ready',
or facing the gap between graduate seminars
and dull after-suppers in his study
grading papers or writing a review —
he played the piano.
I laid myself down as a woman
And woke as a child.
Sleep buried me up to my chin,
But my brain cut wild.
Sudden summer lay sticky as tar
Under bare white feet.
Stale, soot-spotted heapings of winter
Shrank in the street.
Black headlines, infolded like napkins,
Crashed like grenades
As war beat its way porch by porch
Up New Haven's façades.
Europe: a brown hive of noises,
Hitler inside.
On the sunny shelf by the stairs
My tadpoles died.
There, in that lost
corner of the ordnance survey.
Drive through the vanity —
two pubs and a garage — of Satley,
then right, cross the A68
past down-at-heel farms and a quarry,
The spirit is too blunt an instrument
to have made this baby.
Nothing so unskilful as human passions
could have managed the intricate
exacting particulars: the tiny
blind bones with their manipulating tendons,
the knee and the knucklebones, the resilient
fine meshings of ganglia and vertebrae,
the chain of the difficult spine.
Late October. It is afternoon.
My daughter and I walk through the leaf-strewn
Corridors of the park
In the light and the dark
Of the elms' thin arches.
Around us brown leaves fall and spread.
Small winds stir the minor dead.
Dust powders the air.
Those shrivelled women stare.
At us from their cold benches.
Child, your mittens tug your sleeves.
They lick your drumming feet, the leaves.
You come so fast, so fast.
You violate the past,
My daughter, as your coat dances.
Up there on the mountain road, the fireworks
blistered and subsided, for once at eye level:
spatter of light like water flicked from the fingers;
the brief emergent pattern; and after the afterimage bled
from the night sky, a delayed and muffled thud
that must have seemed enormous down below,
the sound concomitant with the arranged
threat of fire above the bleachers.
I stood as tall and straight as possible,
Like words put to a song, the bunched tobacco leaves
are strung along a stick, the women
standing in the August heat for hours — since first light —
under the pitched tin roof, barefoot, and at their feet
the babies, bare-assed, dirty, eating dirt.
The older children hand the leaves from the slide,
three leaves at a time, stalks upright, three handers
for each stringer, and three more heaped canvas slides
Reading in bed, full of sentiment
for the mild evening and the children
asleep in adjacent rooms, hearing them
cry out now and then the brief reports
of sufficient imagination, and listening
at the same time compassionately
to the scrabble of claws, the fast treble
in the chimney —
then it was out,
not a trapped bird
In the Bavarian steeple, on the hour,
two figures emerge from their scalloped house
carrying sledges that they clap, in turn,
against the surface of the bell. By legend
they are summer and winter, youth and age,
as though the forces of plenty and of loss
played equally on the human soul, extracted
easily the same low bronze note spreading