How blest the land that counts among
Her sons so many good and wise,
To execute great feats of tongue
When troubles rise.
Behold them mounting every stump,
By speech our liberty to guard.
Observe their courage — see them jump,
And come down hard!
They’ re worse than weak links
in chains, which we can blame
on blacksmiths’ fire, and chinks
in armor, made by rain
of arrows. Soft spots,
those parts of us that bruise,
prove we’ re fruit that rots
as hourglasses ooze.
But I’ ve a soft spot for,
a phrase we tend to whisper,
is what we say before
we name our guilty pleasure —
the damper pedal that pounds
sonatas into mush
the critic Ezra Pound
would call, with a shudder, slush.
slicing this frozen sky know
where they are going —
and want to get there.
Their call, both strange
and familiar, calls
to the strange and familiar
heart, and the landscape
becomes the landscape
of being, which becomes
the bright silos and snowy
fields over which the nuanced
and muscular geese
are calling — while time
and the heart take measure.
In my car, driving through Black Mountain,
North Carolina, I listen to what
sounds like Doris Day shooting
heroin inside Sly Stone’ s throat.
One would think that she fights
to get out, but she wants to stay
free in this skin. Fresh,
The Family Stone’ s album,
came out in ’73, but I didn’ t make sense
of it till ’76, sixth grade for me,
the Bicentennial, I got my first kiss that year,
I beat up the class bully; I was the man.
When I’ m running across the city
on the crowded streets
to home, when, in a blur,
the grass turns brown
beneath my feet, the asphalt
steams under every step
and the maple leaves sway
on the branches in my wake,
and the people look,
look in that bewildered way,
in my direction, I imagine
walking slowly into my past
among them at a pace
at which we can look one another in the eye
and begin to make changes in the future
from our memories of the past —
the bottom of a bottomless well,
there was a remember when the mama was my girl
the mama was in my girl biding to turn
my girl turn mama when what I got turn to girl in her
my girl in my girl make my girl mama
they both mine
all three
I remember a when when I only dreamed dreams
but my dreams are remembers now
they a when
my mouth a cunt in reverse and my guts, nuts.
I nose the dark nursery, belly for my dick spurting ink at shit.
Fire. Arrow.
Water. Shadow.
you know no kid’ s name a word, but some shit-to-do.
no kid ain’ t shit but a map to its folk
traced by its folk to where they buried their folk.
took that shit that made me to make me make myself myself,
rolled in on papa’ s red nuts like they a fucking chariot.
•
these days my guts stay aching. my head an empty crib.
pigs prey to piggishnesses. get ate from the rooter to the tooter.
I’ m a hog for you baby, I can’ t get enough go the wolfish crooner.
the gust buffeted porker roll in the hay or laid down
in twig rapine. let me in, let me in.
Sound of the rain so I know
there’ s constraint
sound of the train
so I know commerce
has not come to a standstill
now they raise the barrier
now they set it back in place
What coats the bottom
of the surface of the sound
when the swifts come in
when the clerks come home
who will bathe the children
who will bake the bread
when the luff is tight
when the mainsheet
starts the boat underway
whatever you do don’ t
let the tongue slip
from its moorings
I am walking through water with one of my sisters,
the river banked with tiger lilies, the sun
like having a lemon juiced into your eye, our senile dog
ecstatic behind us,
and I am yammering
about my discovery —
a chest deep pool, sentried by trees
that caterpillars were killing
with their yearly carnival tents.
