from Light: Winter

Winter is out for a lot this year
the beach already is stiff
all will be one will be one this year
wings and ice will be one in the world
all will be changed in the world:
the boat will hear its steps on the ice
the war will hear its war on the ice
the woman will hear her hour on the ice
the hour of birth in the ice of death
winter is out for a lot.
Out for the houses the cities
out for the forests the clouds
the mountains the valleys fear
the heart the children peace.

Sustenance

I tracked it through the one mind of  the woods.
Its hoofprints pressed in snow were smallish hearts.
Buck fawn: he let me come so near, take aim.
Crouched against a fir, I was anything.
Bush, stump, doe in estrus he could rut.
Not his maimer, though, not his final thought.
He stared me down until I shot him: low.
Then the forest forgot he’ d ever been.
Nascent, there were signs: bonechip, spoor, frail hair.
But no memory, wounded, wants to die.
He hid in the dark timber, twice crossed the creek.

Butter

Butter, like love,
seems common enough
yet has so many imitators.
I held a brick of it, heavy and cool,
and glimpsed what seemed like skin
beneath a corner of its wrap;
the décolletage revealed
a most attractive fat!

And most refined.
Not milk, not cream,
not even crème de la crème.
It was a delicacy which assured me
that bliss follows agitation,
that even pasture daisies
through the alchemy of four stomachs
may grace a king's table.

On Cooking a Symbol at 400 Degrees

I butterflied Australian rack of lamb
with shallots, garlic, parsley, butter, wine
(some in the pan, some for the palate).
Although the livestock loved in nursery rhyme
avoided clumps of mint, it served my family
nonetheless. I am no PETA zealot
(leather jacket, handbag, wallet, shoes)
but wonder if the deeds we do pursue
us in the afterlife. Does the fleecy
creature have a tenderable claim?
My lambent mind considers our short lease
on life, the oven hot. Am I to blame?

Get Up, John

Here comes dawn and nothing rosy
about her fingers — stove-flame
blue and some hand must’ ve turned
the burner on: the little tongues
licking, gradually, the teapot of  us
aboil, cooking off a giardia
of  stars, the dregs of our night-
mares. Who will place his fingers
in the nailmarks, come near enough
to smell death in its hair? Already we’ ve
some of us slid back into our bodies,
restirring the air our breaths stirred
all night — whoever we are while
we sleep — and gone about believing

If Briefly

Sometimes in time’ s near
unassailable sangfroid there is
a thawing
& the memory
asserts its musicality again

reminds one that it is at heart
heart’ s artificer

* * *

Somewhere in Okinawa there are stairs

“My husband is the only
constant in”

are concrete stairs that lead one
(or at least led me, age six)
near straight from top to bottom of a cliff face
& they ended in a black-sand beach

God’s Promises

I, the Lord, will make barren
your fields and your fairways.
Your refrigerators will be empty,
no steaks and no leg bones,
no butter and no cornbread.
And I will remove your screen doors,
force the mosquitoes indoors
where you lie on the bed undead.
For my house you have not readied,
no flat screen and no broadband.
My habitation is a wasteland
of furniture from motel rooms.
I will send the ostrich and badger
in herds through your wrecked rooms;
your beds will be entered by turnstile;

Have You Eaten of the Tree?

The first day was a long day
and the first night nearly eternal.
No thing existed, and only One was present
to perceive what wasn’ t there.
No meaning as we know it;
difference was bound in the All.
On the first day, water,
on the second day, land,
on the third day, two kinds of light,
one of them night.
On the fourth day, laughter,
and darkness saw it was good.
But when God laughed,
a crack ran through creation.
On the fourth night, sorrow,
staring away from heaven,
torn in its ownness.

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