Extenuating Circumstances

I don’ t know how fast I was going
but, even so, that’ s still
an intriguing question, officer,
and deserves a thoughtful response.
With the radio unfurling
Beethoven’ s Ode to Joy, you might
consider anything under 80 sacrilege.
Particularly on a parkway as lovely
as the one you’ re fortunate enough
to patrol — and patrol so diligently.
A loveliness that, if observed
at an appropriate rate of speed,
affords the kind of pleasure
which is in itself a reminder
of how civilization depends

On an Acura Integra

Please think of this as not merely a piece
Of writing that anyone would fully
Appreciate, but as plain and simple
Words that attempt to arouse whatever
Appetencies you, especially, depend
Upon language to fulfill; that drench you
In several levels of meaning at once,
Rendering my presence superfluous.
In other words, welcome this as a poem,
Not merely a missive I’ ve slowly composed
And tucked under your windshield wiper
So that these onlookers who saw me bash
In your fender will think I’ m jotting down

Resolution

Whereas the porch screen sags from
the weight of flowers (impatiens) that grew
against it, then piles of wet leaves,
then drifted snow; and

Whereas, now rolled like absence in its
drooping length, a dim gold wave,
sundown’ s last, cast across a sea of clouds
and the floating year, almost reaches
the legs of the low-slung chair; and

Whereas between bent trees flies
and bees twirl above apples
and peaches fallen on blue gravel; and

Full Moon

Good God!
What did I dream last night?
I dreamt I was the moon.
I woke and found myself still asleep.

It was like this: my face misted up from inside
And I came and went at will through a little peephole.
I had no voice, no mouth, nothing to express my trouble,
except my shadows leaning downhill, not quite parallel.

Opera Bouffe

The count of cappuccino,
the marquise of meringue,
all the little cantuccini...
and what was the song they sang?

Oh, the best of us is nothing
but a sweetening of the air,
a tryst between the teeth and tongue:
we meet and no one’ s there

though the café’ s always crowded
as society arrives
and light glints to and fro between
the eyes and rings and knives.

The Key to the Kingdom

It's not exile, homes and families behind
us, where we meet. It happens anywhere,
now: a stateless
state of no name, quietly seceding
from the crumbling empires round us,

without stamps or Eurovision entries.
No-one does it with a rough guide in a week.
You inhabit it
or nothing. Like this: in a pavement cafe
you blink and you seem to surprise them,

Living Here Now

My father’ s dying
resembles nothing so much
as a small village
building itself
in the mind of a traveler
who reads about it
and thinks to go there.

The journey is imagined
in a way not even felt
as when years ago
I knew my father would die someday.

The idea came up as fast
as a curve in a road
which opens out
to an unexpected vista,

and now in this journey
the road gravel crunches
under my tires. I miss
some of the streets,
get lost, get lost.

The Beach at Sunset

The cliff above where we stand is crumbling
and up on the Palisades
the sidewalks buckle like a broken conveyer belt.

Art Deco palm trees sway their hula skirts
in perfect unison
against a backdrop of gorgeous blue,

and for you I would try it,
though I have always forbidden myself to write
poems about the beach at sunset.

All the clichés for it sputter
like the first generation of neon,
and what attracts me anyway

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