greetings
as the door opened
ticking
please listen to this
food alone for all
the f. b. i. will continue
maybe you dozed off
i hung by that phone all night
suppose he talks
*
vida
later
aria
*
once upon a time
not looking for any thing
*
you’ re on
your own
it’ s off
it’ s on
*
perhaps it means
ragged like that
golda my-yeer
pre-meer
*
and pour the old box
down a drain
*
Celebrated, the moustache,
And near enough ignored
His “beautiful hands”.
Capable on a keyboard, improvised
A polonaise, his own artistic
Compositions “dull and decent”.
He could see, some, but much swam, out there:
Knives and forks, print, street signs.
Then, his mind made up, he laid about,
Sank immense nets into the cultural acid.
When we winched them back in, on fingertips,
They rippled with rainbows — herring and sprat
The laughing gull that flew behind the fencepost
and never came out was the beginning
and then a hand smaller than my hand covered Wisconsin
with a gesture for explanation.
In the afternoon there are pauses between the words
through which commas can grow like daisy fleabane.
A fish with an osprey in its back emerges from the Sound
and nothing can be learned by more analysis.
The book of her hair opens to its binding and I leaf through
the glorious pages of appreciation and that’ s not all.
I felt suddenly convinced that I had feelings for the wallpaper.
I was especially captivated by its blonde hair and bad dreams.
I had the impression the wallpaper needed longer to properly
respond.
By the time I left, my affections had produced this abrasion on my cheek.
People looked on the abrasion as unquestionable proof of my sincerity.
The abrasion was produced by rubbing my face on the paper’ s smooth surface.
It only occurred to me later that it might have found this sensation disagreeable.
I back the car over a soft, large object;
hair appears on my chest in dreams.
The paperboy comes to collect
with a pit bull. Call Grandmother
and she says, Well you know
death is death and none other.
In the mornings we’ re in the dark;
even at the end of June
the zucchini keep on the sill.
Ring Grandmother for advice
and she says, O you know
I used to grow so many things.
In the rain in the rain in the rain in the rain in Spain.
Does it rain in Spain?
Oh yes my dear on the contrary and there are no bull fights.
The dancers dance in long white pants
It isn’ t right to yence your aunts
Come Uncle, let’ s go home.
Home is where the heart is, home is where the fart is.
Come let us fart in the home.
There is no art in a fart.
Still a fart may not be artless.
Let us fart an artless fart in the home.
Democracy.
Democracy.
Bill says democracy must go.
Go democracy.
Go
Various stars. Various kings.
Various sunsets, signs, cursory insights.
Many minute attentions, many knowledgeable watchers,
Much cold, much overbearing darkness.
Various long midwinter Glooms.
Various Solitary and Terrible Stars.
Many Frosty Nights, many previously Unseen Sky-flowers.
Many people setting out (some of them kings) all clutching at stars.
The houses those suburbs could afford
were roofed with old savings books, and some
seeped gravy at stitches in their walls;
some were clipped as close as fury,
some grimed and corner-bashed by love
and the real estate, as it got more vacant,
grew blady grass and blowfly grass, so called
for the exquisite lanterns of its seed,
and the land sagged subtly to a low point,
They gave the city a stroke. Its memories
are cordoned off. They could collapse on you.
Water leaks into bricks of the Workers’ century
and every meaning is blurred. No word in Roget
now squares with another. If the word is Manchester
it may be Australia, where that means sheets and towels.
To give the city a stroke, they mixed a lorryload
of henbane and meadowsweet oil and countrified her.
