“Earth is the birth of the blues,” sang Yellow Bertha,
as she chopped cotton beside Mama Rose.
It was as hot as any other summer day,
when she decided to run away.
Folks say she made a fortune
running a whorehouse in New Orleans,
but others say she’ s buried somewhere out west,
her grave unmarked,
though you can find it in the dark
by the scent of jasmine and mint,
but I’ m getting ahead of myself.
I scissor the stem of the red carnation
and set it in a bowl of water.
It floats the way your head would,
if I cut it off.
But what if I tore you apart
for those afternoons
when I was fifteen
and so like a bird of paradise
slaughtered for its feathers.
Even my name suggested wings,
wicker cages, flight.
Come, sit on my lap, you said.
I am the Angel with the Broken Wing,
The one large statue in this quiet room.
The staff finds me too fierce, and so they shut
Faith’ s ardor in this air-conditioned tomb.
The docents praise my elegant design
Above the chatter of the gallery.
Perhaps I am a masterpiece of sorts —
The perfect emblem of futility.
Mendoza carved me for a country church.
(His name’ s forgotten now except by me.)
I stood beside a gilded altar where
The hopeless offered God their misery.
Mine, says the cat, putting out his paw of darkness.
My lover, my friend, my slave, my toy, says
the cat making on your chest his gesture of drawing
milk from his mother’ s forgotten breasts.
Let us walk in the woods, says the cat.
I’ ll teach you to read the tabloid of scents,
to fade into shadow, wait like a trap, to hunt.
Now I lay this plump warm mouse on your mat.
I am, as you know, Walter Llywarch,
Born in Wales of approved parents,
Well goitred, round in the bum,
Sure prey of the slow virus
Bred in quarries of grey rain.
Born in autumn at the right time
For hearing stories from the cracked lips
Of old folk dreaming of summer,
I piled them on to the bare hearth
Of my own fancy to make a blaze
To warm myself, but achieved only
The smoke’ s acid that brings the smart
Of false tears into the eyes.
“Lincoln? —
Well, I was in the old Second Maine,
The first regiment in Washington from the Pine Tree State.
Of course I didn’ t get the butt of the clip;
We was there for guardin’ Washington —
We was all green.
People, don't ask me again where my shoes are.
The valley I walked through was frozen to me
as I was to it. My heavy hide, my zinc
talisman — I'm fine, people. Don't stare
at my feet. And don't flash the sign of the cross
in my face. I carry the Blue Cross Card —
card among cards, card of my number
and gold seal. So shall ye know I am of
the system, in the beast's belly and up
to here, people, with your pity.
They say I am excitable! How could
I not scream? The Swiss monk’ s tonsure
spun till it blurred yet his eyes were still.
I snapped my gaiter, hard, to stuff back
my mirth. Lords, he then began to speak.
Indus catarum, he said, presenting the game of cards
in which the state of the world is excellent described
and figured. He decked his mouth
as they do, a solemn stitch, and left cards
in my hands. I cast them down.
What need have I for amusement?
My brain’ s a park. Yet your company
— Pretty Shield,
Medicine Woman of the Crows
transcribed and edited by
Frank Linderman (1932)
All night I am the doe, breathing
his name in a frozen field,
the small mist of the word
drifting always before me.
And again he has heard it
and I have gone burning
to meet him, the jacklight
fills my eyes with blue fire;
the heart in my chest
explodes like a hot stone.
Thou know’ st my praise of nature most sincere,
And that my raptures are not conjur’ d up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken’ d to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern’ d
The distant plough slow-moving, and beside
His lab’ ring team, that swerv’ d not from the track,
