History & Politics

Song at the Feast of Brougham Castle upon the Restoration of Lord Clifford, the Shepherd, to the Estates and Honours of his Ancestors

High in the breathless Hall the Minstrel sate,
And Emont's murmur mingled with the Song.—
The words of ancient time I thus translate,
A festal strain that hath been silent long:—

Written in London. September, 1802

O Friend! I know not which way I must look
For comfort, being, as I am, opprest,
To think that now our life is only drest
For show; mean handy-work of craftsman, cook,
Or groom! — We must run glittering like a brook
In the open sunshine, or we are unblest:
The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
This is idolatry; and these we adore:
Plain living and high thinking are no more:
The homely beauty of the good old cause

The Ivy Green

Oh, a dainty plant is the Ivy green,
That creepeth o’ er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
Creeping where no life is seen,
A rare old plant is the Ivy green.

Channel Firing

That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day

And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,

The glebe cow drooled. Till God called, “No;
It’ s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

No Buyers

A Load of brushes and baskets and cradles and chairs
Labours along the street in the rain:
With it a man, a woman, a pony with whiteybrown hairs. —
The man foots in front of the horse with a shambling sway
At a slower tread than a funeral train,
While to a dirge-like tune he chants his wares,
Swinging a Turk's-head brush (in a drum-major's way

The Indoors is Endless

It’ s spring in 1827, Beethoven
hoists his death-mask and sails off.

The grindstones are turning in Europe’ s windmills.
The wild geese are flying northwards.

Here is the north, here is Stockholm
swimming palaces and hovels.

The logs in the royal fireplace
collapse from Attention to At Ease.

Peace prevails, vaccine and potatoes,
but the city wells breathe heavily.

Privy barrels in sedan chairs like paschas
are carried by night over the North Bridge.

Lines on the Winter Campaign, 1980

I
A bullet’ s velocity in low temperatures
greatly depends on its target’ s virtues,
on its urge to warm up in the plaited muscles
of the torso, in the neck’ s webbed sinews.
Stones lie flat like a second army.
The shade hugs the loam to itself willy-nilly.
The sky resembles peeling stucco.
An aircraft dissolves in it like a clothes moth,
and like a spring from a ripped-up mattress
an explosion sprouts up. Outside the crater,
the blood, like boiled milk, powerless to seep into

The End of a Beautiful Era

Since the stern art of poetry calls for words, I, morose,
deaf, and balding ambassador of a more or less
insignificant nation that’ s stuck in this super
power, wishing to spare my old brain,
hand myself my own topcoat and head for the main
street: to purchase the evening paper.

Glanmore Sonnets

I
Vowels ploughed into other: opened ground.
The mildest February for twenty years
Is mist bands over furrows, a deep no sound
Vulnerable to distant gargling tractors.
Our road is steaming, the turned-up acres breathe.
Now the good life could be to cross a field
And art a paradigm of earth new from the lathe
Of ploughs. My lea is deeply tilled.

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