Landscapes & Pastorals

Gradations of Blue

The scent of pig is faint tonight
as the lime trees hang their heads against gradations of blue,

looking at the lone suitcase in the middle of the farmyard
with a sense of solidarity. Also forgotten.

Its owner never once looked up at them and exclaimed
I was still soft-fingered when I planted you.

In the plane, her gaze rests on a flock of cloud-birds,
pinkish purple with elongated necks, rests

on the plane’ s wing-tip colored pink by the sun.
Her head is heavy with this childhood cargo,

What Is (War)

And if all those who meet or even
hear of you become witness to what you are —

a white country of blight beneath the last snows of
spring. Could we remain quiet on earth

and bear it, the war we make inside
what is — it’ s a long time to be here, to be still,

to feel the rot inside now — bone-scrap, char, sheets of stars
at the edge of a field where we are once again

taken from ourselves. Could we remain here,
witness to grief, one last bright dire call-and-reply,

Song: “Blow, blow, thou winter wind”

Blow, blow, thou winter wind,
Thou art not so unkind
As man’ s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.

Song: “Orpheus with his lute made trees”

Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Every thing that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.

Song: “Under the greenwood tree”

Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.

Who doth ambition shun
And loves to live i' the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.

Elegiac Stanzas Suggested by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont

I was thy neighbour once, thou rugged Pile!
Four summer weeks I dwelt in sight of thee:
I saw thee every day; and all the while
Thy Form was sleeping on a glassy sea.

So pure the sky, so quiet was the air!
So like, so very like, was day to day!
Whene'er I looked, thy Image still was there;
It trembled, but it never passed away.

How perfect was the calm! it seemed no sleep;
No mood, which season takes away, or brings:
I could have fancied that the mighty Deep
Was even the gentlest of all gentle things.

Extempore Effusion upon the Death of James Hogg

When first, descending from the moorlands,
I saw the Stream of Yarrow glide
Along a bare and open valley,
The Ettrick Shepherd was my guide.

When last along its banks I wandered,
Through groves that had begun to shed
Their golden leaves upon the pathways,
My steps the Border-minstrel led.

The mighty Minstrel breathes no longer,
'Mid mouldering ruins low he lies;
And death upon the braes of Yarrow,
Has closed the Shepherd-poet's eyes:

Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur. — Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,

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