Landscapes & Pastorals

Marshlands

A thin wet sky, that yellows at the rim,
And meets with sun-lost lip the marsh’ s brim.

The pools low lying, dank with moss and mould,
Glint through their mildews like large cups of gold.

Among the wild rice in the still lagoon,
In monotone the lizard shrills his tune.

The wild goose, homing, seeks a sheltering,
Where rushes grow, and oozing lichens cling.

Late cranes with heavy wing, and lazy flight,
Sail up the silence with the nearing night.

A Sheep Dog Locked in Photograph

All the old photographs, hidden like buried
Treasure. Broken prayer sticks under my dreams

And my worn mattress. Each one like a postcard sent back
Home; wonders only seen in slick travel magazines.

Boxed up under my bed, colored souls on Kodak paper —
I can still see Grandma’ s smile next to her resting sheep dog.

Like a blue lightning strike over the northern sky,
Over two black houses, I pull the first leaf out, at random.

Leaving Tulsa

Once there were coyotes, cardinals
in the cedar. You could cure amnesia
with the trees of our back-forty. Once
I drowned in a monsoon of frogs —
Grandma said it was a good thing, a promise
for a good crop. Grandma’ s perfect tomatoes.
Squash. She taught us to shuck corn, laughing,
never spoke about her childhood
or the faces in gingerbread tins
stacked in the closet.

Haiku Journey

i. Spring

the tips of each pine
the spikes of telephone poles
hold gathering crows

may’ s errant mustard
spreads wild across paved road
look both ways

roadside treble cleft
feeding gopher, paws to mouth
cheeks puffed with music

yesterday’ s spring wind
ruffling the grey tips of fur
rabbit dandelion

ii. Summer

turkey vulture feeds
mechanical as a red oil rig
head rocks down up down

The Place Where Clouds Are Formed

I
Every day it is the same.
He comes home.
He tells her about it.
As he speaks, his breath condenses in front of his face.
She goes about her business;
every now and then she looks over.
She doesn’ t hear his voice.
She sees the soft fog that continues to form a halo.
She knows he is still talking about that place.
He never tires of it like she does.
Only on summer days when the air is hot
and moisture is still a long time in coming,
she asks him to tell her about that place.
She sits facing him.

In The Summer After “Issue Year” Winter (1873)

I scratch earth around timpsila
on this hill, while below me,
hanging in still air, a hawk
searches the creekbed for my brothers.
Squat leaves, I’ ll braid your roots
into such long ropes, they’ ll cover
the rump of my stallion.
Withered flower, feed us now
buffalo rot in the waist-high grass.

Yom Kippur, Taos, New Mexico

I’ve expanded like the swollen door in summer
to fit my own dimension. Your loneliness

is a letter I read and put away, a daily reminder
in the cry of the magpie that I am

still capable of inflicting pain
at this distance.

Like a painting, our talk is dense with description,
half-truths, landscapes, phrases layered

with a patina over time. When she came into my life
I didn’t hesitate.

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