Living

from Deaf Republic: 14

Each man has a quiet that revolves
around him as he beats his head against the earth. But I am laughing

hard and furious. I pour a glass of pepper vodka
and toast the gray wall. I say we were

never silent. We read each other’ s lips and said
one word four times. And laughed four times

in loving repetition. We read each other’ s lips to uncover
the poverty of laughter. Touch the asphalt with fingers to hear the cool earth of Vasenka

Deposit ears into the raindrops on a fisherman’ s tobacco hair.
And whoever listens to me: being

from Deaf Republic: 3

Don’ t forget this: Men who live in this time remember the price of each bottle of vodka. Sunlight on the canal outside the train-station. With the neighbor’ s ladder, my brother Tony “Mosquito” and I climb the poplar in the public garden with one and a half bottles of vodka and we drink there all night. Sunlight on a young girl’ s face, asleep on the church steps. Tony recites poems, forgets I cannot hear. I watch the sunlight in the rearview mirror of trolleys as they pass.

Twenty-third

And at the picnic table under the ancient elms,
one of my parents turned to me and said:
“We hope you end up here,”
where the shade relieves the light, where we sit
in some beneficence — and I felt the shape of the finite
after my ether life: the ratio, in all dappling,
of dark to bright; and yet how brief my stay would be
under the trees, because the voice I’ d heard
could not cradle me, could no longer keep me
in greenery; and I would have to say good-bye
again, make my way across the white

Shy Boy

I wait for my shadow to forget me,
to take that one phantom step that I keep
from taking. I wait for the simple flash
of a dancer's spat upon this one moon
of stage-light, the mind's lonely oval
illuminated on the surface of some
windless pond or slew. And the old soft-shoe
practices to get it right, husha-husha-hush
in its constant audition of sawdust.
Even this choreography of useless
wishing is not enough to keep tonight
from becoming nothing more than some floor's
forgotten routine where faded, numbered

At Thomas Merton’s Grave

We can never be with loss too long.
Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing upon the stone crucifix,
singing: “I am marvelous alone!”
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon’ s flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel’ s skull green.
The cemetery expands its borders —
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong; and light,

Retrospect

In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,

Secret Life

Alone with time, he waits for his parents to wake,
a boy growing old at the dining room table,

pressing into the pages of one of his father's big books
the flowers he picked all morning

in his mother's garden, magnolia, hibiscus,
azalea, peony, pear, tulip, iris;

reading in another book their names he knows,
and then the names from their secret lives;

lives alchemical, nautical, genital;
names unpronounceable fascicles of italic script;

secrets botanical
description could never trace:

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